Successful model? That's a myth. The year I modeled was the most painful year of my life. Editors would always talk to you in the third person as though you were merely a piece of merchandise. ↗
The only place I've felt was really my home is my cabin up north. There's something in the water there that connects me to that place. There's also this sense of isolation and loneliness about it that I've never been able to shake. ↗
The worst is when I talk myself into something. Sometimes you take things because you want to work with a certain actor, or you want to work with a director, even if the script or the part's not that great. ↗
To work with a director that has emotional commitment and passion toward the characters, and the piece, and the experiences, it only enriches your work. ↗
Your children are grown and your career has slowed down - all the stuff that took up so much attention is gone, and you're left with expansive time and space. You have to reimagine who you are and what life is about. ↗