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The feminist challenge was sweeping: it embraced education and occupation, together with legal, political, and social status. It even dared broach the subject of equality in personal, and especially matrimonial, relationships. Such assertiveness was more unsettling than the racial threat because it was more intimate and immediate: few white men lived with blacks, but most lived with women. ↗
Song of myself With music strong I come, with my cornets and my drums, I play not marches for accepted victors only, I play marches for conquer'd and slain persons. Have you heard that it was good to gain the day? I also say it is good to fall, battles are lost in the same spirit in which they are won. I beat and pound for the dead, I blow through my embouchures my loudest and gayest for them. Vivas to those who have fail'd! And to those whose war-vessels sank in the sea! And to those themselves who sank in the sea! And to all generals that lost engagements, and all overcome heroes! And the numberless unknown heroes equal to the greatest heroes known! ↗
The solution to women’s issues can only be achieved in a free and democratic society in which human energy is liberated, the energy of both women and men together. Our civilization is called human civilization and is not attributed only to men or women. ↗
The padres set great store by addressing prayer to personal gods: 'Genuine prayer exists only in religions in which there is a God as a person and a shape and endowed with a will.' That was stated by a famous Protestant. The anarch does not want to have anything to do with that conception. As for the One God: while he may be able to shape persons, he is not a person himself, and the he is already a patriarchal prejudice. A neuter One is beyond our grasp, while man converses ten with the Many Gods on equal terms, whether as their inventor or as their discoverer. In any case, it is man who named the gods. This is not to be confused with a high level soliloquy. Divinity must, without a doubt, be inside us and recognized as being inside us; otherwise we would have no concept of gods. ↗
Perhaps the critics are right: this generation may not produce literature equal to that of any past generation--who cares? The writer will be dead before anyone can judge him--but he must go on writing, reflecting disorder, defeat, despair, should that be all he sees at the moment, but ever searching for the elusive love, joy, and hope--qualities which, as in the act of life itself, are best when they have to be struggled for, and are not commonly come by with much ease, either by a critic's formula or by a critic's yearning. ↗
For better or worse, whether it is a sign of aesthetic complexity or of intellectual indecision, this novel [Frankenstein] offers equally fertile ground to those readers who like their meanings ambiguous and indeterminate and to those who prefer to discern a deeply important doctrine. ↗
No one truly knows what they will do in a certain situation until they are actually in it. It's very easy to judge someone else's actions by what you assume your own would be, if you were in their shoes. But we only know what we THINK we would do, not what we WOULD do. ↗
There is no religion and no philosophy that can give us a comprehensive answer to the whole of our problems, and the abandonment and isolation of the individual who is given no answer, or only inadequate answers, to his question lead to a situation in which more and more cheap, obvious solutions and answers are sought and provided. As, everywhere and in all departments of life, there are contradictory schools and parties, and an equal number of contradictory answers, one of the most frequent reactions is that modern man ceases to ask questions and takes refuge in a conception that considers only the most obvious, superficial aspects, and becomes skeptical, nihilistic, and egocentric. Or, alternatively, he tries to solve all his problems by plunging headlong into a collective situation and a collective conviction, and seeks to redeem himself in this way. ↗
