I'm of course disillusioned with what has happened to World cinema. Now cinemas in both Eastern and Western Europe are filled with the same blockbusters from Hollywood. ↗
I can be almost terminally grief-stricken because things are so dire, but at the same time, there's a real lightheartedness about just the recoverability of life, of how things change, how they're not the same, ever again. ↗
In this choice, as I look back over more than half a century, I can only follow - and trust - the same sort of instinct that one follows in the art of fiction. ↗
I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive. ↗
Ragtime has about the same amount of respect as comics. And in a way they're similar art forms. Ragtime is highly compositional, and the emotion in the music is built in, whereas in jazz a lot of that emotion comes from the way it's performed. ↗
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience. ↗
It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another. ↗