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Read through the most famous quotes by topic #sca
Adora changed her color scheme from peach to yellow. She promised me she'd take me to the fabric store so I can make new coverings to match. This dollhouse is my fancy." She almost made it sound natural, my fancy. The words floated out of her mouth sweet and round like butterscotch, murmured with just a tilt of her head, but the phrase was definitely my mother's. Her little doll, learning to speak just like Adora. "Looks like you do a very good job with it," I said, and motioned a weak wave good-bye. "Thank you," she said. Her eyes focused on my room in the dollhouse. A small finger poked the bed. "I hope you enjoy your stay here," she murmured into the room, as if she were addressing a tiny Camille no one could see. ↗
#families #insecurity #parental-approval #scary-houses #nature
When in Reading Gaol he told me that the warders in the dock had been gentle and kind, but the visit of the chaplain in his first prison began with these words: 'Mr. Wilde, did you have morning prayers in your house?' 'I am sorry... I fear not.' 'You see where you are now! ↗
#empathy #oscar-wilde #religion #self-righteousness #religion
Jimmy Sadd is the most evil man I’ve ever known. I mean really evil. I’m not talking about tough, or cruel – all the bosses are tough and cruel. You’ll never get anywhere in our world if you’re not respected. But Jimmy ... God damn, Bruno, getting involved with Sadd ... I’d rather do a deal with the devil himself. Sadd is worse. You’ll never get out.” George Hanson In The Shadow of Sadd. ↗
Sick is a relative concept. We’re all sick. The question is, what degree of functionality do we have with respect to the rules society sets for desirable behavior? No actions are in themselves symptoms of sickness. You have to look at the context within which these actions are performed. ↗
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality. ↗
Horned humans are not unknown to medical science as there is a rare skin disease, which goes by the name of ‘Cornu Cutaneum’, a cutaneous growth, which resembles a horn and grows from the scalp. ↗
#carole-carlton #cornu-cutaneum #horned-humans #horns-from-the-scalp #imbolc
But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless — a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches’ tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd. ↗
How can you sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless." "Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them." "I say it’s perfectly heartless your eating muffins at all, under the circumstances. ↗
