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But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless — a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches’ tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd.


Kim Stanley Robinson


#obfuscation #science



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(subsequently anthologized)
A Sensitive Dependence on Initial Conditions (in Vinland the Dream) Originally publiKim Stanley Robinsond in Author's Choice Monthly #20 Pulphouse Publishing May 1991. In 1982 he married Lisa Howland Nowell an environmental chemist and they have two sons. Awards
Robinson's novels have won eleven major science fiction awards and have been nominated on twenty-nine occasions.

His work delves into ecological and sociological themes regularly and many of his novels appear to be the direct result of his own scientific fascinations such as the fifteen years of research and lifelong fascination with the planet Mars. Robinson's work has been labeled by reviewers as literary science fiction.

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