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Read through the most famous quotes by topic #sca
In the language of the day it is customary to describe a certain sort of book as “escapist” literature. As I understand it, the adjective implies, a little condescendingly, that the life therein depicted cannot be identified with the real life which the critic knows so well in W.C.1: and may even have the disastrous effect on the reader of taking him happily for a few hours out of his own real life in N.W.8. Why this should be a matter for regret I do not know; nor why realism in a novel is so much admired when realism in a picture is condemned as mere photography; nor, I might add, why drink and fornication should seem to bring the realist closer to real life than, say, golf and gardening. ↗
I’ve been washing stairs my whole life. One day after the other. Since I was five years old. I’ve never complained. Shame on you. I’m embarrassed to have a son like you…can’t even look after his own bicycle. You just wait until your dad comes home. Then you’ll be in trouble, I can tell you that much.” Poul-Erik’s Mother The Informer ↗
The last great escape. I was done gambling, done betting on a ship that would never come in. I would cash in my chips while I was ahead. I didn't want to suffer the growing old, didn't want to wait until my memory went. It was all so tiresome. I would just go out in a blaze of glory before the parasites of sadness got at me and made me bitter. After that's the American way: take your own life before everything else takes it from you. ↗
The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral. All social questions achieve their finality around that blade. The scaffold is an image. It is not merely a framework, a machine, a lifeless mechanism of wood, iron, and rope. It is as though it were a being having its own dark purpose, as though the framework saw, the machine listened, and the mechanism understood; as though that arrangement of wood and iron and rope expressed a will. In the hideous picture which its presence evokes it seems to be most terribly a part of what it does. It is the executioner's accomplice; it consumes, devouring flesh and drinking blood. It is a kind of monster created by the judge and the craftsman; a spectre seeming to live an awful life born of the death it deals. ↗
You’ve gone far away to a place with no horses and very little grass, and you’re studying how to write a story with a happy ending. If you can write that ending for yourself, maybe you can come back. ↗
He treasured her, treasured her tears, treasured her love for others. Her heart might even be big enough to fill that empty space in his own chest. Perhaps she could be his heart as well. ↗
He grunted and stirred, withdrawing from her. She only had a moment to be disappointed and then he flipped her to her back and rose over her, powerful and male. He casually parted her legs with his knees and thrust into her again, hot and hard. She gasped at the swift invasion, the lovely feeling, and then his face was next to hers, his big palms cradling her cheeks. “What I want,” he drawled, “is ye. Nothin’ else. ↗
Shit is disgusting and horrible. A lot of people and things are disgusting and horrible, and I want to be a nice person, and I am. When you are speaking about rejected people whose suffering makes them disgusting, you are speaking about shit. I do not mean that we should all eat shit and love what we can’t help rejecting. I am saying that I tried to do that, just to see if it was possible. It’s not possible. ↗
