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Jude,” she whispered as she touched his face. “I’m so frightened of this. This bind that links us. It whispers to me to take what you’re offering, but I fear the consequences. I have lived the consequences.” His fingertips traced the column of her throat down over the swells of her breasts where they lingered until her breath caught. “I am not your father, Isabella, and you are not your mother.” “I know, but—” “There are no certainties in life,” he murmured as he lowered his head and kissed the apex of her breast where her heart hammered so hard. “But I can give you this certainty. I love you. And I want you. I have wanted you for so long, and that feeling has only grown. There must be trust between us, Isabella. Passion is not enough for me. I want more from you.” “You ask for so much,” she said, then trailed off. “Not any more than I am offering you. ↗
As I said, I don’t expect you to understand—” “And I don’t,” he cut in. “Ye ask how I can live a life that I know will end with the hangman’s noose. Well, at least I am alive. Ye might as well have climbed inside yer husband’s coffin and let yerself be buried with his corpse.” Her hand flashed out before she’d thought about it, the smack against his cheek loud in the little courtyard. Silence had her eyes locked with Michael’s, her chest rising and falling swiftly, but she was aware that Bert and Harry had looked up. Even Mary and Lad had paused in their play. Without taking his gaze from hers, Michael reached out and grasped her hand. He raised her hand to his lips and softly kissed the center of her palm. He looked at her, her hand still at his lips. “Don’t take to yer grave afore yer time, Silence, m’love. ↗
He sat and looked at her. “How is Mary Darling?” “Fast asleep after playing and having a bath,” she said. “The nursery is lovely.” “I’m glad you like it.” “Rose and Annie are obviously practiced nursemaids, and what is even better, they seem to like Mary, and she them.” He grunted. “It would take a hard heart to turn away from my Mary Darling.” A smile curved the corners of her lips. “You didn’t seem too enamored of her when you first met.” “She has a forceful personality, as do I. We just took a bit to get to know one another. ↗
For years, walking round London, I had been aware of the actual land, lying concealed but not entirely changed or destroyed, beneath the surface of the nineteenth- and twentieth-century city. It has been said that 'God made the country and man made the town', but that is not true: the town is simply disguised countryside. Main roads, some older than history itself, still bend to avoid long-dried marshes, or veer off at an angle where the wall of a manor house once stood. Hills and valleys still remain; rivers, even though entombed in sewer pipes, still cause trouble in the foundations of neighbouring buildings and become a local focus for winter mists. Garden walls follow the line of hedgerows; the very street-patterns have been determined by the holdings of individual farmers and landlords, parcels of land some of which can be traced back to the Norman Conquest. The situation of specific buildings - pubs, churches, institutions - often dates from long distant decisions and actions on the part of men whose names have vanished from any record. ↗
Everyone needs to escape sometimes, and retreating into somebody else's fantasy isn't nearly as satisfying as slipping into your own. ↗
Deanna Durbin's movies are about innocence and sweetness. They're from a different time and a different place. Outside the movie house, there was Depression, poverty, war, death, and loss. Audiences then were willing to pretend, to enter into a game of escape. No one really thought that the world was like a Deanna Durbin movie, they just wanted to pretend it was for about an hour and a half. ↗
Jesus, you'd think the Black Death was sweeping the globe every three months or so...ebola, SARS, avian flu. You know how many people made money on those scares? Shit, I made my first million on useless antiradiation pills during dirty bomb scares. ↗
