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But in the meantime, as a temporary measure, I hold what I call the doctrine of the jig-saw puzzle. That is: this remarkable occurrence, and that, and the other may be, and usually are, of no significance. Coincidence and chance and unsearchable causes will now and again make clouds that are undeniable fiery dragons, and potatoes that resemble eminent statesmen exactly and minutely in every feature, and rocks that are like eagles and lions. All this is nothing; it is when you get your set of odd shapes and find that they fit into one another, and at last that they are but parts of a large design; it is then that research grows interesting and indeed amazing, it is then that one queer form confirms the other, that the whole plan displayed justifies, corroborates, explains each separate piece. ↗


— Arthur Machen


#the-great-return #design

A wall is happy when it is well designed, when it rests firmly on its foundation, when its symmetry balances its part and produces no unpleasant stresses. Good design can be worked out on the mathematical principles of mechanics. ↗


— Isaac Asimov


#design

The only truly intersting side of the matter was the intimate design of the injury, the fact that it was so penetrating, custom-made exactly to your measure. It's fascinating that hatred should be so personal as to be almost loving. The knife and the wound aching for each other. ↗


— Saul Bellow


#design

[Memory]... is a system of near-infinite complexity, a system that seems designed for revision as much as for replication, and revision unquestionably occurs. Details from separate experiences weave together, so that the rememberer thinks of them as having happened together. The actual year or season or time of day shifts to a different one. Many details are lost, usually in ways that serve the self in its present situation, not the self of ten or twenty or forty years ago when the remembered event took place. And even the fresh memory, the 'original,' is not reliable in a documentary sense....Memory, in short, is not a record of the past but an evolving myth of understanding the psyche spins from its engagement with the world. ↗


— John Daniel


#memoir #memory #design

It's easy to dismiss design - to relegate it to mere ornament, the prettifying of places and objects to disguise their banality. But that is a serious misunderstanding of what design is and why it matters - especially now. ↗


— Daniel H. Pink


#design

In those days he seemed to be a nice old gentleman, and his existence always served practical purposes, such as when I was accused of misconduct, for then I could shift the blame to him by saying, "Old Tacet did it." Naturally, no one would believe me, this being a last-ditch effort to avoid the hairbrush. If my mother were alive today, she'd laugh at me for still fantasizing - yet it's the truth. Even now, whenever necessary, I still summon forth the old geezer - in theater programs, for example, to credit him for costumes that I've designed, ones for which I prefer not getting the hook. Yes, he's another of my names: the unlikely but lovely and perfectly logical ↗


— Paul Taylor


#imaginary-friend #ph-d #tacet #design

The outside world is a design of our imagination. ↗


— Christopher Dines


#christopher-dines-quotes #design

In the 1970s, when Norman Sunshine won an Emmy for the graphics and title design he had created for one of Alan Shayne’s television productions, “Alan and I agreed it was not a good idea for us to be seen together at an industry event,” he remembers. “Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it… 'Better to be seen with a woman,’ we were advised by a very trusted friend, ‘Makes everyone more comfortable. ↗


— Norman Sunshine


#double-life #gay-marriage #love-story #norman-sunshine #design

I make out a schoolbus...glowing orange, green, magenta, lavender, chlorine blue, every fluorescent pastel imaginable in thousands of designs, both large and small, like a cross between Fernand Liger and Dr. Strange, roaring together and vibrating off each other as if somebody had given Hieronymous Bosch fifty buckets of day-glo paint and a 1939 International Harvester schoolbus and told him to go to it. ↗


— Tom Wolfe


#design

Is the conclusion that the universe was designed - and that the design extends deeply into life - science, philosophy, religion, or what? In a sense it hardly matters. By far the most important question is not what category we place it in, but whether a conclusion is true. A true philosophical or religious conclusion is no less true than a true scientific one. Although universities might divide their faculty and courses into academic categories, reality is not obliged to respect such boundaries. ↗


— Michael J. Behe


#id #intelligent-design #reality #science #design






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