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I'd like to issue a call to realism for those of us in so-called developed industrial nations, who indulge in great horror at the gradual collapse of our own pathologically unsustainable mode of existence while ignoring the reality of the majority of this planet’s residents, who do not in fact share the same dread or anxiety about losing what most of them, frankly, never had to squander in the first place. ↗
I dislike guilt." the Morrigan said." it is regret and recrimination and despair over that which cannot be changed. It is like eating ashes for breakfast. It is the whip that clerics use on the laity, making the sheep slaves to whatever moral code the shepherds espouse. it is a catalyst for suicide and untold other acts of selfishness and stupidity. I cannot think of a more poisonous emotion!" ... "Why do you bother to feel it?" Atticus: "Because an inability to feel guilt points to sociopathic tendencies. ↗
It is much easier to be strong in faith when you are smiling. So it would automatically lift my mood and reassure me that I would indeed find more reasons to smile again. ↗
As long as the vision of heaven is always changing, the vision of earth will be exactly the same. No ideal will remain long enough to be realized, or even partly realized. The modern young man will never change his environment; for he will always change his mind. ↗
There are several ways to perform almost any act - an efficient, workable, artistic way and a careless, indifferent, sloppy way. Care and artistry are worth the trouble. They can be a satisfaction to the practitioner and a joy to all beholders. ↗
The language of Shakespeare is the first and lasting affirmation of the great changes that took place in the sixteenth century, leaving the Middle English of Chaucer far behind. In many ways, the language has changed less in the 400 years since Shakespeare wrote than it did in the 150 years before he wrote. ↗
The decline of sustained close reading of Eliot is also related, ironically, to the emergence of historical scholarship regarding sources and allusions. The major figure here is Grover Smith, who in the midfifties published an encyclopedic study of Eliot's sources. 3 The mere existence of Smith's scholarly tome changed the shape of close readings of Eliot. The poet's allusions and sources moved to the foreground of concern, and although most readers of Eliot's poetry and plays benefited from Smith's work, others found themselves frustrated by the weight of the intellectual backgrounds. ↗
