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A sound interrupted him; a frail quivering sound, a voice bubbling up without direction, vigour, beginning or end, running weakly and shrilly and with an absence of all human meaning into ee um fah so foo swee too eem oo-- the voice of no age or sex, the voice of an ancient spring spouting from the earth; which issued, just opposite regent's Park Tube station from a tall quivering shape, like a funnel, like a rusty pump, like a wind-beaten tree for ever barren of leaves which lets the wind run up and down its branches singing ee um fah so foo swee too eem oo and rocks and creaks and moans in the eternal breeze. Through all the ages - when the pavement was grass, when it was swamp, through the ages of tusk and mammoth, through the age of silent sunrise, the battered woman - for she wore a skirt - with her right hand exposed, her left clutching at her side, stood singing of love - love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death's enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple heather, there on her high burial place which the last ruined rays of the last sun caressed; for then the pageant of the universe would be over. As the ancient song bubbled up opposite Regent's Park Tube station still the earth seemed green and flowery; still, though it issued from so rude a mouth, a mere hole in the earth, muddy too, matted with root fibres and tangled grasses, still the old bubbling burbling song, soaking through the knotted roots of infinite ages, and skeletons and treasure, streamed away in rivulets over the pavement and all along Marylebone Road, and down towards Euston, fertilising, leaving a damp stain. Still remembering how once in some primeval May she had walked with her lover, this rusty pump, this battered old woman with one hand exposed for coppers the other side clutching her side, would still be there in ten million years, remembering how once she had walked in May, where the sea flows now, with whom it did not matter - he was a man, oh yes, a man who had loved her. but the passage of ages had blurred the clarity of that ancient May day; the bright petalled flowers were hoar and silver frosted; and she no longer saw, when she implored him (as she did not quite clearly) "look in my eyes with thy sweet eyes intently," she no longer saw brown eyes, black whiskers or sunburnt face but only a looming shape, a shadow shape, to which, with the bird-like freshness of the very aged she still twittered "give me your hand and let me press it gently" (Peter Walsh could not help giving the poor creature a coin as he stepped into his taxi), "and if some one should see, what matter they?" she demanded; and her fist clutched at her side, and she smiled, pocketing her shilling, and all peering inquisitive eyes seemed blotted out, and the passing generations - the pavement was crowded with bustling middle-class people - vanished, like leaves, to be trodden under, to be soaked and steeped and made mould of by that eternal spring - ee um fah um soo foo swee too eem oo ↗
The lesson we are indebted to Egypt for, our future generations learned that in the face of oppression silence is never golden. ↗
The Beatles, Rolling Stones, Barbra Streisand, Bruce Springsteen, these are just some of the people who threatened to sue if we used their songs. ↗
