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But if I didn't know Kate, then maybe I didn't know myself-and if was that not-knowing that made my gut clench. Like losing your balance, that whoosh of almost falling, before pulling yourself back in line. ↗
I avoided one-on-one situations, eye contact, and healthy relationships. Instead I took refuge in drinking too much, cheap sex, and sarcasm. ↗
There are two ways to ruin any chances of leading a happy life. The first is to chase a goal twenty-four hours a day, day after day, and gladly give up all the little laughs and joys that life has to offer in exchange for that ever-elusive moment of jubilation. The second way is far worse, in that it NEVER fails. You know what it is, Sam? Falling in love with someone who chases a goal twenty four hours a day. ↗
Jessica guffawed. “Well, almost every need. It will be every need when we walk in the door and they have gorgeous men waiting for us as well.” “Nope, not happening.” Cassandra took a chip, dipped it in the salsa,and popped it in her mouth. “Not interested in a relationship. Men are high maintenance, and relationships only bring pain.” Jessica flicked a chip across the table at her and sat back in her chair. Her expression became sober as she looked at her best friend. “Seriously Cassie, you don’t believe that. ↗
#men
Pablo's many stories and reminiscences about Olga and Marie-Thérese and Dora Maar, as well as their continuing presence just offstage in our own life together, gradually made me realize that he had a kind of Bluebeard complex that made him want to cut off the heads of all women he had collected in his private museum. But he didn't cut the heads entirely off. He preferred to have life go on and to have all those women who had shared his life at one moment or another still letting out little peeps and cries of joy or pain and making a few gestures like disjointed dolls, just to prove there was some life left in them, that it hung by a thread, and that he held the other end of the thread. From time to time they would provide a humorous or dramatic or sometimes tragic side to things, and that was all grist to his mill. ↗
What interests me is to set up what you might call the rapport de grand écart - the most unexpected relationship possible between the things I want to speak about, because there is a certain difficulty in establishing relationships in just that way, and in that difficulty there is an interest, and in that interest there is a certain tension and for me that tension is a lot more important than the stable equilibrium of harmony, which doesn't interest me at all. Reality must be torn apart in every sense of the word. What people forget is that everything is unique. Nature never produces the same thing twice. Hence my stress on seeking the rapport de grand écart: a small head on a large body; a large head on a small body. I want to draw the mind in the direction it's not used to and wake it up. I want to help the viewer discover something he wouldn't have discovered without me. That's why I stress the dissimilarity, for example, between the left eye and the right eye. A painter shouldn't make them so similar. They're just not that way. So my purpose is to set things in movement, to provoke this movement by contradictory tensions, opposing forces, and in that tension or opposition, to find the moment which seems the most interesting to me. ↗
I think I'd convinced myself that all long-term relationships end up that way; I really thought I had no right to expect more. ↗
The true measure of a man is how he treats you when others are not looking. ↗
#love #marriage #relationships #relationships-love #respecting-others
She was Grandma Will. That term felt foreign and unfitting to the relationship they had. She wondered if her father had ever called her Mother, Ma, Mom, Mama? Maybe in private he might have, but to the world, all the world, it was Aunt Will. ↗
The humility that cringes in order that reproof may be escaped or favor obtained is as unchristian as it is profoundly immoral. ↗
