#tara

I think that, to me it’s a story about forgiveness. Some people say to me that they would never forgive Tom for what he did. Other people say ‘well he was grief stricken’. But I still think that the way he acted was awful. There was a trust thing that happened there and especially coming from a character like Tara Finke, he’s not really a player and she’s not really a confidant person on so many different levels. But I think for me there was just, ultimately I know what he did was wrong but there was such a respect between them as people and I like the fact that he had to actually work instead of trying. Like I think in the past he had found it so easy to charm people but at this particular case because he didn’t have her there in front of him, he actually had to work at wooing her back. And I think he succeeds. And there are so many times when people around him don’t think he is going to succeed at that, there’s no way that she will forgive him and I like the fact that she does, and it’s not because she’s a pushover it’s because Tom has really worked at it that he has opened himself to her in the same that that she kind of opened herself to him. I suppose it’s about trust between people in the end. ↗

— Melina Marchetta

#the-piper-s-son #tom #forgiveness

How ghastly for her, people actually thinking, with their brains, and right next door. Oh, the travesty of it all. ↗

— Gail Carriger

#brain #humor #thinking #humor

Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love. ↗

— Gregory David Roberts

#love

Love is when someone puts you on a pedestal and yet when you fall, they're there to catch you anyway.' - Tara Daniels ↗

— Jill Shalvis

#jill-shalvis #love #lucky-harbor #tara-daniels #the-sweetest-thing

I'm done waiting. Done doing things the easy way and letting things happen as they will." Her heart caught. "What does that mean?" "It means this is too important to let slip away again. You're too important." He leaned back against the truck with a low grunt of effort, eyes dark, jaw clenched. "I love you too, Tara. ↗

— Jill Shalvis

#romance #tara-daniels #love

Oh, Mona, we're all damned fools! Some of us just have more fun with it than others. Loosen up, dear! Don't be so afraid to cry . . . or laugh, for that matter. Laugh all you want and cry all you want and whistle at pretty men in the street and to hell with anybody who thinks you're a damned fool! ↗

— Armistead Maupin

#ataraxy #self-confidence #men

For it is in your power to retire into yourself whenever you choose. ↗

— Marcus Aurelius

#independence #individuality #retire #self #self-assurance

In yourself right now is all the place you've got. ↗

— Flannery O'Connor

#empowerment #independence #individuality #self-assurance #self-awareness

I am plenty romantic. Just this morning while he slept, I had left Carter a box of his favorite candy next to his pillow - Globs: piles of white chocolate covered, crushed potato chips and pretzels drizzled with caramel. I figured it would soften him up to the note I placed next to the box telling him if he left the toilet seat up one more time and my ass got an involuntary bath at six in the morning, I would put super glue on the head of his penis while he slept. I had even signed the note with a couple of Xs and Os. Who says romance is dead? ↗

— Tara Sivec

#futures-and-frosting #tara-sivec #romantic

In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ↗

— David Foster Wallace

#david-foster-wallace #david-lynch #film #muzak #quentin-tarantino