#tarantino

Tarantino is the coolest damn guy; he's just so much fun to work with. He might be the best director I've ever worked with. He just seems to know how to do it and he knows how to make you feel good about it. He's having so much fun you start having fun. You can't help it. ↗

— David Carradine

#best #coolest #damn #director #ever

I'll tell you, Quentin Tarantino really writes the most amazing dialogue. ↗

— Christopher Walken

#dialogue #i #most #most amazing #quentin

Quentin Tarantino is a hip-hop artist. I told him, 'You're hip-hop!' You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things. ↗

— Jamie Foxx

#because #cause #clip #does #drop

With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips. ↗

— Jamie Foxx

#dealing #difficulty #flips #going #gymnastics

Quentin Tarantino is controlled insanity, I would say. He's very loud and fun. I don't think there's anybody on the planet like him that I have ever met. ↗

— Rose McGowan

#controlled #ever #fun #him #i

In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of. ↗

— Ron Perlman

#cinema #coming #early #everyone #films

Tarantino's movies, I really enjoy, certainly, and when I was 19 and 20, I was really into them. ↗

— Ryan Phillippe

#enjoy #i #into #movies #really

Tarantino's stuff in its inception was all about finding a way for him to break into Hollywood. ↗

— Ryan Phillippe

#break #finding #him #hollywood #inception

Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me. ↗

— Nancy Sinatra

#along #comes #discovered #films #gave

In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ↗

— David Foster Wallace

#david-foster-wallace #david-lynch #film #muzak #quentin-tarantino