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I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story. ↗
I've found that good dialogue tells you not only what people are saying or how they're communicating but it tells you a great deal - by dialect and tone, content and circumstance - about the quality of the character. ↗
Two thousand years ago the night sky looked completely different, and so when you get right down to it, the Greek conceptions of star signs as related to birth dates are grossly inaccurate for today's day and age. It's called the Line of Procession: back then the sun didn't set in Taurus, but in Gemini. A September 24 birthday didn't mean you were a Libra, but a Virgo. And there was a thirteenth zodiac constellation, Ophiuchus the Serpent Bearer, which rose between Sagittarius and Scorpio for only four days. The reason it's all off kilter? The earth's axis wobbles. Life isn't nearly as stable as we want it to be. ↗
The desire to know the future gnaws at our bones. That is where it started, and might have ended, years ago. I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction." Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history. ↗
Storytellers have as profound a purpose as any who are charged to guide and transform human lives. I knew it as an ancient discipline and vocation to which everyone is called. ↗
Since art is a virtue of the intellect, it demands to communicate with the entire universe of the intellect. Hence it is that the normal climate of art is intelligence and knowledge: its normal soil, the civilized heritage of a consistent and integrated system of beliefs and values; its normal horizon , the infinity of human experience enlighted by the passionate insight of anguish or the intellectual virtues of a contemplative mind. ↗
