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Read through the most famous quotes by topic #ten
Sorrow is not a raven perched persistently above a chamber door. Sorrow is a thing with teeth, and while in time it retreats, it comes back at the whisper of it's name. ↗
London is satisfied, Paris is resigned, but New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it. ↗
To me, the word wisdom means ancient knowledge. It’s the kind of knowledge you not only see but feel when you look into the eyes of an elephant or stop for a moment to marvel at the deep wrinkles on its skin, both of which I believe contain the truths learned from each intentional step their feet and those of their ancestors have placed upon the earth. ↗
#earth #elephant #eyes #feet #inspiration
You are a real find and you keep me satisfied, up to a point. After all, I'm a malcontent and you can't change that. ↗
And then I remember this morning and I wonder if it really happened or if I dreamed it. It was nice. And weird. And tender. I'm not used to tender. It's a fossil, that word. Conditions changed and it died out. Like the woolly mammoth. It just couldn't live in the same world as dick box. Ho dog. Or wiener cousins. ↗
If you really want to focus on something, says Castellanos, the optimum amount of time to spend on it is ninety minutes. "Then change tasks. And watch out for interruptions once you're really concentrating, because it will take you twenty minutes to recover. ↗
When the stories of our life no longer bind us, we discover within them something greater. We discover that within the very limitations of form, of our maleness and femaleness, of our parenthood and our childhood, of gravity on the earth and the changing of the seasons, is the freedom and harmony we have sought for so long. Our individual life is an expression of the whole mystery, and in it we can resat in the center of the movement, the center of all worlds. ↗
... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth. Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event. ↗
