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Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake. ↗
It isn't the subjects we write about but the seriousness and subtlety of our expression that determines the worth of or effort. ↗
To my mind, the most important thing in any form of fiction is the human element, but only if it takes us beyond the everyday, into situations that examine the complexities that may fascinate or puzzle us. To dwell on the mundane as some kind of a writing exeercise is useless. ↗
Durante centenares de miles de años, el hombre luchó para abrirse un lugar en la naturaleza. Por primera vez en la historia de nuestra especie, la situación se ha invertido y hoy es indispensable hacerle un lugar a la naturaleza en el mundo del hombre. ↗
The scribe was a strict teacher and he did not accept anything less than perfect... Like a mother sensing the baby quickening within her, suddenly, to me, the letters were no longer hostile and unwieldly. I had command of them, with my head and with my hand... The words struck, as clear and as pure as a bell peal on a winter morning. ↗
When I was a senior in high school, I was playing in this local band in our town, and I really wanted to be a musician for a living, and it didn’t look like that was going to happen with my band. So, I enrolled in college and stuff. My senior year had ended, and I was going through the anxiety of like, ‘I guess I’m an adult now kind of’ and I was really yearning for a direction. And, I remember like sitting in my back one day, and I was praying alone, and I remember God said, just give up. Just let go of this worry and this need for direction and I will give you direction. ↗
Instead of celebrating what makes each child unique, most parents push their children to "fit in" so that they don't "stick out." This unwittingly stomps out individuality and encourages conformity, despite these parents' good intentions ↗
I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation. ↗
