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Once the door closed, Tod turned to me. “Girlie, he is fine. He’s fine times twelve. He’s the new definition of fine.” “I’ve been in love with him since I was five,” I told Tod. “I’m in love with him now. I want to have his children,” Tod told me. ↗
Serena has spent her life fighting fiction the way good soldiers fight—intent on detecting its presence, harassing it, suppressing it—but I have to find a way to show her she’s mistaken her enemy, to explain to her that whoever suppresses fiction destroys life, and that everything disappears with it, all love, all desire. If the past is an invention, it’s not such a big deal. After all, the future’s an invention, and no one finds that hard to accept. ↗
Trick.” I say a little louder. “Shhh, sleep baby.” He mumbles. I laugh and smack his arm. “Wake up. I can feel your morning wood.” This gets his attention and he sits up, taking me with him. The arms wrapped around my middle graze my breasts as he shifts up and a tingle shoots straight between my legs. “God, Caroline, I’m so...” He stops, probably realizing that he doesn't have morning wood, “I don't have...” He’s actually pretty cute all sleepy. He laughs. “I know but I couldn't figure out how else to get your attention.” I shrug. ↗
