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Read through the most famous quotes by topic #tolkien
Frodo: I can't recall the taste of food, nor the sound of water, nor the touch of grass. I'm naked in the dark. There's nothing--no veil between me and the wheel of fire. I can see him with my waking eyes. Sam: Then let us be rid of it, once and for all. I can't carry the ring for you, but I can carry you! Comeon! ↗
#j-r-r-tolkien #return-of-the-king #sam #the-lord-of-the-rings #food
Come, let it pass then,' said Frodo. 'But now we seem to have come to the point, you and I, Smeagol. Tell me. Can we find the rest of the way by ourselves? We're in sight of the pass, of a way in, and if we can find it now, then I suppose our agreement can be said to be over. You have done what you promised, and you're free: free to go back to food and rest, wherever you wish to go, except to servants of the Enemy. And one day I may reward you, I or those that remember me.' 'No, no, not yet,' Gollum whined. 'O no! They can't find the way themselves, can they? O no indeed. There's the tunnel coming. Smeagol must go on. No rest. No food. Not yet. ↗
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me. ↗
I first read The Lord of the Rings and The Hobbit when I was eighteen. It felt as though the author had taken every element I'd ever want in a story and woven them into one huge, seamless narrative; but more important, for me, Tolkien had created a place, a vast, beautiful, awesome landscape, which remained a resource long after the protagonists had finished their battles and gone their separate ways. In illustrating The Lord of the Rings I allowed the landscapes to predominate. In some of the scenes the characters are so small they are barely discernible. This suited my own inclinations and my wish to avoid, as much as possible, interfering with the pictures being built up in the reader's mind, which tends to be more closely focussed on characters and their inter-relationships. I felt my task lay in shadowing the heroes on their epic quest, often at a distance, closing in on them at times of heightened emotion but avoiding trying to re-create the dramatic highpoints of the text. With The Hobbit, however, it didn't seem appropriate to keep such a distance, particularly from the hero himself. I don't think I've ever seen a drawing of a Hobbit which quite convinced me, and I don't know whether I've gotten any closer myself with my depictions of Bilbo. I'm fairly happy with the picture of him standing outside Bag End, before Gandalf arrives and turns his world upside-down, but I've come to the conclusion that one of the reasons Hobbits are so quiet and elusive is to avoid the prying eyes of illustrators. ↗
And in that very moment, away behind in some far corner of the city, a cock crowed. Shrill and clear he crowed reckoning nothing of wizardry or war, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. ↗
Tolkien, who created this marvellous vehicle, doesn't go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what's more he doesn't allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is. ↗
But the Queen Arwen said: 'A gift I will give you. For I am the daughter of Elrond. I shall not go with him now when he departs to the Havens; for mine is the choice of Luthien, and as she so I have chosen, both the sweet and the bitter. But in my stead you shall go, Ring-bearer, when the time comes, and if you then desire it. If your hurts grieve you still and the memory or your burden is heavy, then you may pass into the West, until all your wounds and weariness are healed. But wear this now in memory of Elfstone and Evenstar with whom your life has been woven!' And she took a white gem like a star that lay upon her breast hanging upon a silver chain, and she set the chain around Frodo's neck. 'When the memory of the fear and the darkness troubles you,' she said, 'this will bring you aid. ↗
#frodo #j-r-r-tolkien #queen-arwen #ring-bearer #the-lord-of-the-rings
For the rest, they shall represent the other Free Peoples of the World: Elves, Dwarves, and Men, Legolas shall be for the Elves; and Gimli son of Gloin for the Dwarves. They are willing to go at least to the passes of the Mountains, and maybe beyond. For Men you shall have Aragorn son of Arathorn, for the Ring of Isildur concerns him closely ↗
There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged . One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs. ↗
