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By this time the day had changed in a manner characteristic of the Black Country. I've told you already how in the early morning we got the impression that the sky had been washed by dew and all its impurities drained downward into the lower levels of the coal measures. One reason for this clearness was that the day before had been Sunday, and ninety percent of the smoke stacks were at rest. But all morning the chimneys of Dulston and Wolverbury and Darsall, and all the other congeries of red brick with uncouth names, had been disgorging their fumes of unconsumed carbon and sprays of steam, until a grayish yellow cloud hung over them. There wasn't a breath of wind that day; if it had been left to itself, the stuff would just have settled down on them like soup; but all the time fresh filth went on bubbling up from the bottom, so that the basin gradually filled, with the result that by midday its skimmings had reached the level of our sky. You couldn't see them, and yet they took every bit of colour out of the landscape, just as though we were looking through smoked glass. They were like a poison in our lungs; they made the air we breathed seem flat, devitalized, warm. We could taste their faint acridity with our tongues. All the time this thin, invisible poison came creeping up the slope of the hill. Evelyn spoke of it as a fog; we Londoners know the meaning of an honest fog; but this wasn't a fog, it was a blight. So we walked on through a landscape that was like a spoiled photgraphic plate. We followed the line of the Roman causeway between banks of rusty hazel. The surface of the road had been repaired by a dressing of slag that gave it a feeling of black sterility. The fields that we saw on either side of it, wherever the hedges straggled into gaps, had no greenness in them. They were dotted with mounds of ashes, on which no weeds would grow, and pits of dirty water. No trees but an occasional black and twisted hawthorn. In one field a huge circular boiler of a type that has long since been discarded lay on its side like a stranded buoy. No Man's Land with a vengeance!


Francis Brett Young


#blight #industry #landscape #pollution #change

But my heart is an old house (the kind my mother grew up in) hell to heat and cool and faulty in the wiring and though it’s nice to look at I have no business inviting lovers in.


Clementine von Radics


#business

Mindset of the man too busy: I am too busy BEING God to become LIKE God.


Mark Buchanan


#rest #business

If you want your ministry to have ‘it’, more important than anything else we’ve discussed, you must have ‘it’. When it has filtered through your heart - the rare combination of passion, integrity, focus, faith, expectation, drive, hunger, and God’s anointing - God tends to infuse your ministry with ‘it’. He blesses your work. People are changed. Leaders grow. Resources flow. The ministry seems to take on a life of its own.


Craig Groeschel


#leadership #ministry #change

The way a crow Shook down on me The dust of snow From a hemlock tree Has given my heart A change of mood And saved some part Of a day I had rued.


Robert Frost


#change

Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.


E.A. Bucchianeri


#idealism #love #love-at-first-sight #poetry #romance

When we play an unaccompanied Bach suite we may compare ourselves to an actor in Shakespeare's day, creating scenery which did not exist at all, through the power of declamation and suggestion. So in Bach. There is but one voice -- and many voices have to be suggested.


Pablo Casals


#music #theater #music

And it never failed that during the dry years the people forgot about the rich years, and during the wet years they lost all memory of the dry years. It was always that way.


John Steinbeck


#human-nature #life

Poetry is not efficient. If you want to learn how to cook a lobster, it’s probably best not to look to poetry. But if you want to see the word lobster in all its reactant oddity, its pied beauty, as if for the first time, go to poetry. And if you want to know what it’s like to be that lobster in the pot, that’s in poetry too.


Dean Young


#art

On the shining yards of heaven See a wider dawn unfurled. . . . The eternal slaves of beauty Are the masters of the world.


Bliss Carman


#poetry #beauty






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