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Read through the most famous quotes by topic #writ
She would have thought that working and living in continuous happiness, harmony, and security day after day would lead to mental lethargy, that her writing would suffer from too much happiness, that she needed a balanced life with down days and miseries to keep the sharp edge on her work. But the idea that an artist needed to suffer to do her best work was a conceit of the young and inexperienced. The happier she grew, the better she wrote. ↗
Writing a complete novel is time consuming, frustrating, nerve wrecking, and most of the time your work is under valued, under appreciated, and taken for granted. So why do authors do it? Because not writing at all, feels far worse. ↗
Sento ancora la follia scorrermi dentro, ma ancora non ho scritto le parole che avrei voluto, la tigre mi è rimasta sulla schiena. Morirò con addosso quella figlia di puttana, ma almeno le ho dato battaglia. E se fra voi c'è qualcuno che si sente abbastanza matto da voler diventare scrittore, gli consiglio va' avanti, sputa in un occhio al sole, schiaccia quei tasti, è la migliore pazzia che possa esserci, i secoli chiedono aiuto, la specie aspira spasmodicamente alla luce, e all'azzardo e alle risate. Regalateglieli. Ci sono abbastanza parole per noi tutti. ↗
#deth #everybody #foolishness #life #light
The name Kyirong means “the village of happiness,” and it really deserves the name. I shall never cease thinking of this place with yearning, and if I can choose where to pass the evening of my life, it will be in Kyirong. There I would build myself a house of red cedar wood and have one of the rushing mountain streams running through my garden, in which every kind of fruit would grow, for though its altitude is over 9,000 feet, Kyirong lies on the twenty-eighth parallel. When we arrived in January the temperature was just below freezing it seldom falls below -10 degrees Centigrade. The seasons correspond to the Alps, but the vegetation is subtropical. Once can go skiing the whole year round, and in the summer there is a row of 20,000-footers to climb. ↗
Sometimes it’s great, and sometimes it’s shit. These are the things all the great philosophers just won’t tell you flat out about life. You keep moving, keep living, keep breathing And you keep writing-creating because that’s what you do And that’s who you are. There are no magical voices to guide You except your own. Make it count. ~ R.M. ENGELHARDT ↗
#poet #poetry #quotes-on-life #quotes-on-writing #r-m-engelhardt
When I started to learn how to read, I discovered the same kind of power. I could create an environment that I didn't have, and I could order this environment in the way that I couldn't in my actual life. Then, when I learned to write, I learned that I could do this not only for myself, but for other people. I could create whole things that were believable, at least to myself, at that point. And in this way, I began to wield an authority and a power that I had not had before. In other words, every child goes through this. Some pick football and some pick the library. I picked the library. ↗
Lots of talk lately about the GREAT AMERICAN NOVEL that seems to be exclusively masculine. And how many of the characters in the GENIUS BOOKS are likable? Is Holden Caulfield likable? Is Meursault in The Stranger? Is Henry Miller? Is any character in any of these system novels particularly likable? Aren’t they usually loathsome but human, etc., loathsome and neurotic and obsessed? In my memory, all the characters in Jonathan Franzen are total douchebags (I know, I know, I’m not supposed to use that, feminine imagery, whatever, but it is SO satisfying to say and think). How about female characters in the genius books? Was Madame Bovary likable? Was Anna Karenina? Is Daisy Buchanan likable? Is Daisy Miller? Is it the specific way in which supposed readers HATE unlikable female characters (who are too depressed, too crazy, too vain, too self-involved, too bored, too boring), that mirrors the specific way in which people HATE unlikable girls and women for the same qualities? We do not allow, really, the notion of the antiheroine, as penned by women, because we confuse the autobiographical, and we pass judgment on the female author for her terrible self-involved and indulgent life. We do not hate Scott Fitzgerald in “The Crack-Up” or Georges Bataille in Guilty for being drunken and totally wading in their own pathos, but Jean Rhys is too much of a victim. ↗
