#writ

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. ↗

— Vladimir Nabokov

#age

Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins. ↗

— Neil Gaiman

#being

Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. ↗

— Franz Kafka

#truth-telling #writing #logic

A poem begins with a lump in the throat; a homesickness or a lovesickness. It is a reaching-out toward expression; an effort to find fulfillment. A complete poem is one where an emotion has found its thought and the thought has found words. ↗

— Robert Frost

#writing #effort

No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem. ↗

— Booker T. Washington

#field #learns #much #poem #prosper

As a writer, you should not judge, you should understand. ↗

— Ernest Hemingway

#writing-advice #understanding

As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life. And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed. ↗

— Sherman Alexie

#teens #writing #young-adult-literature #life

President Bartlet: There's a delegation of cardiologists having their pictures taken in the Blue Room. You wouldn't think you could find a group of people more arrogant than the fifteen of us, but there they are, right upstairs in the Blue Room. ↗

— Aaron Sorkin

#president

There's an epigram tacked to my office bulletin board, pinched from a magazine -- "Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâté. ↗

— Margaret Atwood

#disappointment #epigrams #fandom #on-writing #similes

Being an author, is being a dictator. (in a good way) ↗

— Pseudonymous Bosch

#authority