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Read through the most famous quotes by topic #young_adult
Selfish as this sounds, I meant what I said earlier,” he finally says. I try to remember what he said, but everything is kind of a blur. “Which part?” “The ‘I’m glad you came tonight’ part.” So I’m not imagining the nudging or the sparks or what I could have sworn was his thumb tracing circles on the back of my hand while we walked to his car. “Mmm. Well in that case, I meant what I said, too.” He kicks a rock I’m two steps from tripping over out of my path. “You said the potholes in Leslie’s driveway suck. ↗
Our love was a temporary madness, erupting like the prominent tidal waves that leaps giant, then subsides into the soft decay of the ocean. We were so entwined together, so wrapped up into each other's lives and love, that it was inconceivable that we would ever part. Because that was the kind of love that Trysten and I had. Something so unrelentless, and strong. Fearful! We had a love that was so restless, so urgent, so agitated. It was not the recitation of our promises of our eternal passion that we shared within the wild beating of our hearts, rather it was the desire that we had for one another in a most rapturous way. It was knowing that every special moment of the day was going to be well spent kissing each others lips, and loving each other in the most promiscuous of ways, and when we weren't kissing or loving, then imagining so. This was the truth of our love. We weren't just in love, rather we were what love was all about, and why it existed in the first place; and it burned through every cell of our body like a hot fire that could never be contained. (this is from my second book DESCEND - a mermaid series) ↗
When she wraps her arms around my neck, all I want to do is protect this girl for the rest of my life. ↗
I just read this great quote by Junot Diaz, he was talking about true intimacy, and he was saying that it was the willingness to be vulnerable and to be found out. That’s what I felt that YA did. It wasn't pretentious, and it wasn’t hiding its heart. It wanted to be found out... It felt like those moments when you go to a party and you're standing around for a long time, going, I don't fit in here, what am I going to talk to these people about? And everybody's getting drunk, and then you find this one person, and you end up sitting in some corner talking about all these arcane things. And then before you know it you're having a conversation about the meaning of life and it's four o’clock in the morning. That kind of feeling, that kind of intimacy — I felt like that's what I got from YA. ↗
She was left to beg for mercy only to burn in torment again the next day. She was a weed struggling through cracks of concrete, unwanted, undesired, crushed and abused under trampling feet. She would never see the sun. She would never be free. She would always be a solitary candle in the dark, cold without a flame to warm it, forever peering out at the world through a laminated sheet of glass too thick to penetrate. When she died, if she was ever allowed, no one would ever know. She would pass a faded ghost of a girl abandoned by all. ↗
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!] ↗
When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me. ↗
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