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My soul cried out for Ash, for his courage and determination; for the way his eyes thawed when he looked at me, as if I were the only person in the world; for that beautiful, wounded spirit I saw beneath the cold exterior he showed the world. ↗
No man is a caricature, no individual can alone bear responibilty for a nation's collapse. The disaster Zaire became, the dull acquiescence of its people, had its roots in a history of extraordinary outside interference, as basic in motivation as it was elevated in rhetoric. The momentum behind Zaire's free-fall was generated not by one man but thousands of compliant collaborators, at home and abroad. ↗
I sit in the sky like a sphinx misunderstood; My heart of snow is wed to the whiteness of swans; I hate the movement that displaces the rigid lines, With lips untaught neither tears nor laughter do I know. ↗
When assaulted by sexual knowledge for the first time, a girl plunges into a period of blackness, which is required in order to let her emotions catch up with her body. Sleeping Beauty sleeps. Cinderella waits, and while she waits she works her way through the darkness of depression. Snow White both works and sleeps before she is ready to open her eyes and find a Prince leaning over her. ↗
She thought of the recurrent waves of pain that for some reason or other she and her husband had had to endure; of the invisible giants hurting her boy in some unimaginable fashion; of the incalculable amount of tenderness contained in the world; of the fate of this tenderness, which is either crushed or wasted, or transformed into madness; of neglected children humming to themselves in unswept corners; of beautiful weeds that cannot hide from the farmer. ↗
Maybe the witch thought she was protecting Rapunzel, not punishing her. Maybe she thought that if Rapunzel was locked away, no one could ever hurt her. Maybe the witch kept Rapunzel because she loved her, because she was scared that if other people could get to Rapunzel, they would hurt her. And maybe Rapunzel didn't understand the witch; maybe she was angry at her - but maybe she loved her too. ↗
In England in the 19th century, advances in printing methods, combined with the rise of a prosperous middle class, engendered a booming new industry of books published just for children. Casting about for cheap story material, English publishers laid hands on the subtle, sensual adult fairy tales of the Continental tradition and revised them into simpler stories instilled with Victorian values. Although these simplified versions retained much of the violence of the older stories, elements of sexuality and moral complexity were carefully scrubbed away — along with the fiesty heroines who appeared everywhere in the older tales, tamed now into models of Victorian propiety and passivity. In the 20th century, the Walt Disney Studios watered down the tales further still in popular animated films like Sleeping Beauty and Snow White, continuing the trend of turning active heroines into powerless damsels in distress. Walt Disney considered even the Victorian versions of the tales too dark for 20th century audiences. "It's just that people now don't want fairy stories the way they were written," Disney commented. "They were too rough." ↗
#fairy-tales-for-adults #feminism #magical-stories #stories #beauty
Ah, you pitiful, pitiful creatures! Beautiful family! Nobler far than stupid men..." he cried softly to himself. What was he doing here with his arrow? Cornering these creatures? Armor--an armor to brag about! Save his dignity before that armor-maker because of a promise? Foolish...foolish! If the old man jeered at him, why should it matter anymore; a common suit of armor would do as well! Armor did not make a man, nor did it signify valor. "Dumb creatures that you are, how magnificent! Sorrow, love--parental love incarnate! Were I that fox--what if Tokiko and Shigemori were trapped like this? Even the beast can rise above itself--could I as much? ↗
