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I've been actively engaged with mythic imagery ever since I picked up that Rackham book, but it really came into focus for me when I moved from London to the country. As I walked the extraordinary landscape of Dartmoor, I looked at the trees and the rocks and the hills and I could see the personality in those forms...then they metamorphosed under my pencil into faeries, goblins and trolls. After Alan and I published "Faeries", he moved on from the subject of faery folklore to illustrate Tolkien and other literary works...while I discovered that my own exploration of Faerieland had only just begun. In the countryside, the old stories seemed to come alive around me; the faeries were a tangible aspect of the landscape, pulses of spirit, emotion, and light. They "insisted" on taking form under my pencil, emerging on the page before me cloaked in archetypal shapes drawn from nature and myth. I'd attracted their attention, you see, and they hadn't finished with me yet. ↗
The unrealistic nature of these tales (which narrowminded rationalists object to) is an important device, because it makes obvious that the fairy tales’ concern is not useful information about the external world, but the inner process taking place in an individual. ↗
As Mr. R. U. Sayee has well said: 'It should be clear a priori that fairy lore must have developed as a result of modifications and accretions received in different countries and at many periods, though we must not overlook the part played by tradition in providing a mould that to some extent determines the nature of later additions.' It must also be self-evident that a great deal of confusion has been caused by the assumption that some spirit-types were fairies which in a more definite sense are certainly not of elfin provenance. In some epochs, indeed, Faerie appears to have been regarded as a species of limbo to which all 'pagan' spirits - to say nothing of defeated gods, monsters, and demons - could be banished, along with the personnel of Olympus and the rout of witchcraft. Such types, however, are usually fairly easy of detection. ↗
This was all very well: Columbanus's success indicates the appeal of his mission. But his activities, for the first time, brought the nature of Celtic monasticism firmly to the attention of the Church authorities -- to western bishops in general, and to the Bishop of Rome in particular. The Irish monks were not heretical. But they were plainly unorthodox. They did not look right, to begin with. They had the wrong tonsure. Rome, as was natural, had 'the tonsure of St Peter', that is, a shaven crown. Easterners had the tonsure of St Paul, totally shaven; and if they wished to take up an appointment in the West they had to wait until their rim grew before being invested. But the Celts looked like nothing on earth: they had their hair long at the back and, on the shaven front part, a half-circle of hair from one ear to the other, leaving a band across the forehead. ↗
Some discussion of the nature and temperament of the fairies is necessary in view of its possible bearing on their origin. J. G. Campbell tells us that in the Highlands of Scotland they were regarded as "the counterparts of mankind, but substantial and unreal, outwardly invisible." They differ from mortals in the possession of magical power, but are strangely dependent in many ways on man. They are generally considered by the folk at large as of a nature between spirits and men. "They are," says Wentz, "a distinct race between our own and that of spirits. ↗
Of all my old associations, of all my old pursuits and hopes, of all the living and the dead world, this one poor soul alone comes natural to me, and I am fit for. There is a tie of many suffering years between us two, and it is the only tie I ever had on earth that Chancery has not broken! ↗
#despair #gridley #miss-flite #richard #tie
