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When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it? ↗
But genius, and even great talent, springs less from seeds of intellect and social refinement superior to those of other people than from the faculty of transforming and transposing them. To heat a liquid with an electric lamp requires not the strongest lamp possible, but one of which the current can cease to illuminate, can be diverted so as to give heat instead of light. To mount the skies it is not necessary to have the most powerful of motors, one must have a motor which, instead of continuing to run along the earth's surface, intersecting with a vertical line the horizontal line which it began by following, is capable of converting its speed into lifting power. Similarly, the men who produce works of genius are not those who live in the most delicate atmosphere, whose conversation is the most brilliant or their culture the most extensive, but those who have had the power, ceasing suddenly to live only for themselves, to transform their personality into a sort of mirror, in such a way that their life, however mediocre it may be socially and even, in a sense, intellectually, is reflected by it, genius consisting in reflecting power and not int he intrinsic quality of the scene reflected. ↗
There are some situations which men understand by instinct, by which reason is powerless to explain; in such cases the greatest poet is he who gives utterance to the most natural and vehement outburst of sorrow. Those who hear the bitter cry are as much impressed as if they listened to an entire poem, and when th sufferer is sincere they are right in regarding his outburst as sublime. ↗
#relationship #sorrow #sympathy #the-count-of-monte-cristo #men
The king! I thought he was philosopher enough to allow that there was no murder in politics. In politics, my dear fellow, you know, as well as I do, there are no men, but ideas - no feelings, but interests; in politics we do not kill a man, we only remove an obstacle, that is all. ↗
Men-kind shared this world for but a blink, then, sadly, they became enlightened, found science and religion. The new world of men left little room for magic or the magical creatures of old. Earth’s first children were driven into the shadows by flame and cold iron, by man’s insatiable need of conquest. ↗
And how closely related to you is Cousin Beatrice?” Reynaud gave him a look. “Not that close. “Glad to hear it.” Vale dropped into a cushioned chair. “I hope she recovers fully so that you can then propose to her. Because I tell you now, matrimony truly is a blessed state, enjoyed by all men of good sense and halfway adequate bedroom skills.” “Thank you for that edifying thought,” Reynaud growled. Vale waved his glass. “Think nothing of it. I say, you haven’t forgotten how to treat a lady in the bedroom, have you?” “Oh, for God’s sake!” “You’ve been out of refined society for years and years now. I could give you some pointers, should you need them. ↗
What is wrong with the [tale of] Two Swords?" he asked, even more surprised. "Don't you care for it?" "There is too bloody much romance in it," she said curtly. Ah, well, here was the crux of it, apparently. "Don't you like romance?" he ventured. She looked as though she were trying to decide if she should weep or, as he had earlier predicted, stick him with whatever blade she could lay her, hand on. "I don't know," she said briskly. "I see," he said, though he didn't. He wished, absently, that he'd had at least one sister. He was very well versed in what constituted courtly behavior and appropriate formal wooing practices, thanks to his father's insistence on many such lectures delivered by a dour man whose only acquaintance with women had likely come from reading about them in a book, but he had absolutely no idea how to proceed with a woman whose first instinct when faced with something that made her uncomfortable was to draw her sword. ... "I'll stop provoking you, but I will have the answer to a question. Why do you think most men woo?" "Because they have no sword skill and need something with which to occupy their time? ↗
Creators of literary fairy tales from the 17th-century onward include writers whose works are still widely read today: Charles Perrault (17th-century France), Hans Christian Andersen (19th-century Denmark), George Macdonald and Oscar Wilde (19th-century England). The Brothers Grimm (19th-century Germany) blurred the line between oral and literary tales by presenting their German "household tales" as though they came straight from the mouths of peasants, though in fact they revised these stories to better reflect their own Protestant ethics. It is interesting to note that these canonized writers are all men, since this is a reversal from the oral storytelling tradition, historically dominated by women. Indeed, Straparola, Basile, Perrault, and even the Brothers Grimm made no secret of the fact that their source material came largely or entirely from women storytellers. Yet we are left with the impression that women dropped out of the history of fairy tales once they became a literary form, existing only in the background as an anonymous old peasant called Mother Goose. ↗
#men
