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Read through the most famous quotes by topic #alex
I love him so very much. As Romeo did Jugurtha, as Pyramid did Thirsty, as-" "Oh, please, no need to elaborate further," interjected Alexia, wincing. "But what would my family SAY to such a union?" "They would say that yours hats had leaked into your head," muttered Alexia, unheard under her breath. ↗
You are going to have a nasty scar," I said as I gently held pressure to stop the bleeding. "All true warriors wear their scars proudly," he mumbled. "How can I be proud of this one?" I looked up at him, horrified, as I realized what he meant. "What will your parents say?" I would be sent to Siberia. My whole family would be exiled. If not executed. He shook his head. "They will know about the count before too long. My father will think that I failed to protect the public from this danger. It is I who fear being sent to Siberia." "But...wait. I didn't express my fears out loud, did I?" I dropped his arm and backed away, suddenly spooked by his silvery faerie eyes. "Can you read my thoughts?" "Sometimes, when I concentrate." He winced and grabbed the bandage from me to apply pressure to the bleeding himself. "You are very easy to read. Most of the time. ↗
Sure, we thought the acres That we tilled were sacred, But how could we have known That wheat can haunt like ghosts ↗
The novelist Dumas would one day borrow features from both of his uncles, not to mention his grandfather, the acknowledged scoundrel, in fashioning the central villains of The Count of Monte Cristo. Reading court documents detailing the sordid unraveling of Charles's sham fortune, which would have devastating effects on his daughter and her unsuspecting husband, I couldn't help thinking that one of the interesting things about Dumas's villains is that, while greedy and unprincipled themselves, they produce children who can be innocent and decent. This was something that the writer understood very well from his own family. ↗
All of the Indians must have tragic features: tragic noses, eyes, and arms. Their hands and fingers must be tragic when they reach for tragic food. The hero must be a half-breed, half white and half Indian, preferably from a horse culture. He should often weep alone. That is mandatory. If the hero is an Indian woman, she is beautiful. She must be slender and in love with a white man. But if she loves an Indian man then he must be a half-breed, preferably from a horse culture. If the Indian woman loves a white man, then he has to be so white that we can see the blue veins running through his skin like rivers. When the Indian woman steps out of her dress, the white man gasps at the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water. If she is compared to murky water, however, then she must have a secret. Indians always have secrets, which are carefully and slowly revealed. Yet Indian secrets can be disclosed suddenly, like a storm. Indian men, of course, are storms. The should destroy the lives of any white women who choose to love them. All white women love Indian men. That is always the case. White women feign disgust at the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures. Indian men are horses, smelling wild and gamey. When the Indian man unbuttons his pants, the white woman should think of topsoil. There must be one murder, one suicide, one attempted rape. Alcohol should be consumed. Cars must be driven at high speeds. Indians must see visions. White people can have the same visions if they are in love with Indians. If a white person loves an Indian then the white person is Indian by proximity. White people must carry an Indian deep inside themselves. Those interior Indians are half-breed and obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man. If the interior Indian is female, then she must be a healer, especially if she is inside a white woman. Sometimes there are complications. An Indian man can be hidden inside a white woman. An Indian woman can be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture. There must be redemption, of course, and sins must be forgiven. For this, we need children. A white child and an Indian child, gender not important, should express deep affection in a childlike way. In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts. ↗
He has left nothing except for a note, which I find neatly folded under one of my sneakers. The Story of Solomon is the only way I know how to explain. And then, in smaller letters: Forgive me. ↗
How the hell was she going to fight them? With style. She could almost hear Niko's voice. She grinned, despite herself. Do try not to die, won't you? That was Tyler. It would have been followed by a delicate yawn. And Oz: Keep your head down and don't be stupid. Lise: Bitch, do not even think about leaving me alone with all this testosterone. Giselle: You can't win if you die, so suck it up. Tutresiel: Princess, you aren't even trying if you're dying. And Alexander: Come home. ↗
#lise #max #niko #oz #tutresiel-alexander
