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Read through the most famous quotes by topic #ali
I would argue that a truly developed country would be beyond Presidents and Kings. In a world with some semblance of equality, each liberal-minded woman, each gay person, and indeed almost every person could be their own President. In a world of equals, what real service does a ruler provide? ↗
UNTRUSTWORTHINESS is a viewpoint. Depends which side of the fence you are viewing from! ↗
#deeba-salim-irfan #love #untrustworthiness #viewpoint #love
I sat down on the sofa, surrounded by years of coffee rings and sandwich stains. If the police ever did a DNA test on this sofa, it would be ninety per cent disappointment. ↗
#love #mundane-reality #truth #love
History is a hermaphrodite with many distinguished lovers. We are neither mysteries nor strangers but the living breath of revelation made flesh by the unrestrained desires of a free and universal love. Universal me. Universal you.” --from Past Present and Future are One ↗
Balsa seemed invincible, endowed with powers no other warrior could match, but in her profile he could glimpse the shadow of a young girl, hurt and buffeted by a cruel and hopeless fate. If he had never experienced what it was like to be at the mercy of fate himself, he would not have noticed, but now he could see it with unbearable, heartrending clarity. ↗
#girl-warrior #love-hurts #mercy-of-fate #strong-women #women-s-strength
When I was young, I lacked certainty, too,” he says. “I have the certainty, now, of not needing certainty. I have the certainty, of uncertainty. The peace, with being uncertain. All is good. All is holy. Whatever you choose, it can be fine. Hatred never ceases with hatred, but with love alone is healed. Rejection never ceases with rejection, but with acceptance alone is healed. ↗
#spirituality #zen #love
There is a fascination here that holds rich and poor, strong and weak captive,not with chains and fetters but by an almost touchable solace... ↗
Of course one’s sense of identification with the nation is inflected by all kinds of particulars, including one’s class, race, gender, and sexual identification. … But [regarding] national character …, aside from references to a national aesthetic — literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both — the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the “trashy, profane and obscene” poems of Whitman and Ginsberg, [and] Martha Graham’s expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero. ↗
