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That if a thing is defined in contrast that's what life is, the shadow of death. So the mystery of death couldn't be the bad thing, because without it there wouldn't be life. The badness was life, just happening, as essential a part of the good as the good. And what was there to do but to take it as it comes and to hope, to hope constantly and carnally and with no time to lose. ↗
#carnally #constantly #death #essential #life
What do you think of Poe?" "He's awful. He was obviously... what's the term... 'disappointed in love' at some point. He probably never smiled again. The pages are just bursting with his longing for women to suffer. If he ever met me he'd probably punch me on the nose." "I think Poe's quite good, actually. The whole casual horror thing. Like someone standing next to you and screaming their head off and you asking them what the fuck and them stopping for a moment to say 'Oh you know, I'm just afraid of death' and then they keep on with the screaming. ↗
He loved her in a subtle kind of way. It wasn’t the kind of love you see in movies, with swelling music and giant gestures and running through the streets to catch a departing train. It wasn’t the kind of love that Byron or Shakespeare wrote about, with flowery language and hyperbole and iambic pentameter. It was still and deep, like water that you might mistake for shallow if you just watched the surface. It was entirely his, not dependent on her own feelings for him, and it would still be there whether she, or him, or everyone else on the world disappeared. It was a subtle kind of love, but it was true. ↗
#love
With subtle and finely-wrought temperaments it is always so. Their strong passions must either bruise or bend. They either slay the man, or themselves die. Shallow sorrows and shallow loves live on. The loves and the sorrows that are great are destroyed by their own plenitude. ↗
