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In trying to find out what Bruno thought of his priesthood, we now have a serious problem which we did not have before. In Venice, he told his fellow-prisoners that he was an enemy of the mass, and thought transubstantiation a ridiculous idea and the Catholic ritual bestial and blasphemous. He compared the elevation of the host to hanging somebody on a gallows, or perhaps to lifting him up on a pitchfork. He told somebody who had dreamt of going to mass that that was a terrible omen; and he performed a mock mass with Ovid's Art of Love instead of a missal. He joked about hungry priests going off from mass to a good breakfast. He spoke particularly ill of the mass as a sacrifice, and said that Abel, the archetype of the sacrificing priest, was a criminal butcher who was rightly killed by the vegetarian Cain. A phrase he used elsewhere, apparently about Christ's passion and not directly about the mass itself, seems nevertheless to express rather exactly his attitude to is: he called it 'some kind of a cabbalistic tragedy'. ↗
#eucharist #giordano-bruno #ovid #priesthood #roman-catholic
This apparent hurly-burly and disorder turn out, after all, to reproduce real life with its fantastic ways more accurately than the most carefully studied out drama of manners. Every man is in himself all humanity, and if he writes what occurs to him he succeeds better than if he copies, with the help of a magnifying glass, objects placed outside of him. ↗
Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture,' between 'mainstream' and 'genre,' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways. ↗
#editing #fantasy #genre #magic #mainstream
Should I, too, prefer the title of 'non-Jewish Jew'? For some time, I would have identified myself strongly with the attitude expressed by Rosa Luxemburg, writing from prison in 1917 to her anguished friend Mathilde Wurm: What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears. An inordinate proportion of the Marxists I have known would probably have formulated their own views in much the same way. It was almost a point of honor not to engage in 'thinking with the blood,' to borrow a notable phrase from D.H. Lawrence, and to immerse Jewishness in other and wider struggles. Indeed, the old canard about 'rootless cosmopolitanism' finds a perverse sort of endorsement in Jewish internationalism: the more emphatically somebody stresses that sort of rhetoric about the suffering of others, the more likely I would be to assume that the speaker was a Jew. Does this mean that I think there are Jewish 'characteristics'? Yes, I think it must mean that. ↗
A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain - a malign and particular suspension or defeat of those laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space .... Therefore we must judge a weird tale not by the author's intent, or by the mere mechanics of the plot; but by the emotional level which it attains at its least mundane point... The one test of the really weird is simply this - whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim. ↗
Bricks are being used by companies as their internal controls. There is zero assurance that the financial reports are correct but that’s what comforts the accountants. ↗
#accounting #brick-and-blanket-iq-test #brick-and-blanket-responses #brick-and-blanket-test #brick-and-blanket-uses
