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She didn’t know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss. “Shane,” he said when he raised his head from hers. “I love you. I love you.” Her heart opened and the wall inside her trembled as she clung to him. “Burn me up, Matt,” she said, her voice a ragged whisper. “Burn it away. Please, please, burn it all away.” She heard him growl deep in his throat and he lifted her into his arms in one swift movement. As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire. ↗
E sì, mi manca ancora. Per quanto incomprensibile possa essere, sento ancora la sua mancanza. La sento soprattutto in questo tipo di situazione, quando esco, quando mi siedo in un ristorante con qualcuno, quando viene un po’ di sole dopo che ha piovuto, quando la gente intorno parla del più e del meno, quando la normalità incalza. E’ soprattutto in quei momenti che mi domando cosa ci faccio lì. Perché rimango. Perché non me ne vado. E perché quello che mangio non sa di niente. E perché delle cose che mi dicono gli amici, cose per le quali dovrei provare un qualche interesse, non m’importi assolutamente nulla. E risponda per pura cortesia, sperando che se la bevano e pensando che se pure non se la bevono fa lo stesso. E perché quando mi sembra di cominciare a rilassarmi, finalmente, vengo subito assalito dal solito stormo di piccoli ricordi felici che vuole portarmi via da dove sto. E perché mi sembra di aver lasciato la vita da qualche parte. Ma dove? Fanculo, va’. ↗
Why are those who are notoriously undisciplined and unmoral also most contemptuous of religion and morality? They are trying to solace their own unhappy lives by pulling the happy down to their own abysmal depths. ↗
A smaller rocket cut across the sky, trailing smoke. It exploded in a red heart. "Awwwww!" said the crowd. "Upside down," said Sean. The heart was, indeed, upside down. It grew and grew, upside down, until it's lights trailed and faded. A bigger rocket exploded in bright golden sparks, and then came another red heart. "Upside down," said all the boys. Three explosions layered on top of one another, gold, blue, pink. Then still another red heart exploded, growing and growing before it faded. "Upside down," said everyone in the boat but me. My own heart expanded for Adam. I whispered, "I know what he meant. ↗
He sighed, then said, "So basically, you're stalking her." "I am NOT stalking her." I insisted. "That's where you come in. If I followed her by myself, someone who did not understand the situation and did not realize that I am so responsible-" McGillicuddy snorted. "- might mistake what I am doing for stalking. However, her big brother is with me. Therefore we are protecting her. ↗
I don’t know who those other people are and what they did to you, but I’m not one of them,” I whispered, on the verge of tears. (Molly) “You are. You just don’t know yet.” (Victor) ↗
#romance #romantic-fantasy #young-adult-fantasy #young-adult-fiction #romantic
Mila este o manifestare a puterii, o reactie de superioritate (un fel de lamentatie indiferenta, rece, care nu schimba cu nimic starea de spirit a celui care o declama), falsa pentru ca nu presupune reflectie, ci doar o constatare care porneste de la diferentierea dintre cel care sufera si cel care proclam mila, cel care se simte sigur pe sine in timp ce seamanul lui se prabuseste. Compasiunea provine semantic in apropiere, empatia sa este reala, bazandu-se pe unitatea dintre cel suferind si cel care isi atribuie fara menajamente suferinta - in timp ce mila este doar o scanare sau o verificare superficiala a diferentierii. Apropierea este, astfel, o modalitate de invatare existentiala, orizontal pentru ca presupune o modestie primara - in timp ce modalitatea verticala ar fi ruperea de tiparul «chipului si asemanrii», egoismul brut al celui care refuza alteritatea, preferand inchiderea de sine, fara scuza expansivitatii. Mila ar fi expresia deghizata al unui nihilism, care imparte lumea intre puternici si «dezavantajati» sau, dup amodelul romantic, intre subiect si «ceilalti», unde ultimul termen este anonim, lipsit de chip si tinde spre vid. «Cele mai bune intentii» sunt enuntate sub masca milei (poate chiar prin mijloace pecuniare), dar ele nu-l pot insela pe cel care isi pune problema din punct de vedere afectiv: cei care sunt adepti ai milei sunt despartiti de realitatea celor suferinzi de un ecran ce le cenzureaza orice participare din interior a atrocitatii. Compasiunea presupune trecerea acestei granite, care te apropie de cel supus traumei, te impinge in chiar spatiul celui «agresat». ↗
[Robert] Newell's recommendation of walking is also interesting: 'The best way undoubtedly of seeing a country is on foot. It is the safest, and most suited to every variety of road; it will often enable you to take a shorter track, and visit scenes (the finest perhaps) not otherwise accessible; it is healthy, and, with a little practice, easy; it is economical: a pedestrian is content with almost any accommodations; he, of all travellers, wants but little, 'Nor wants that little long'. And last, though not least, it is perfectly independent.' Newell cites independence, as do a number of the 'first generation' of Romantic walkers I have already surveyed; more striking are his commendation of walking as the safest option, which reflects a very altered perception of the security of travel from that which prevailed in the eighteenth century, and his advocacy of the practical and health benefits of pedestrianism, which against suggests its institutionalisation as a form of tourism and its extension to lower reaches of the middle classes. ↗
How did I get where I am.” If your answer is anything but dumb luck then you are sadly deluding yourself. ↗
