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Read through the most famous quotes by topic #avid
This time he could no longer hold back his tears. And with them came words that he’d never been able to say to her his entire life. “I love you, Helena. I have always loved you. Wake up and let me prove it to you. ↗
she decided no human man would ever touch her again. the doors to her body and heart were already locked, and she would give the key to only one man, perhaps someday...perhaps never...but all the same she didnt care about falling in love, or getting married, or any of that, anymore. it was too late for mortal men to stake any sort of claim to her affections. if she grews old and died alone, it would be in full posession of her heart. and if she ever gave it, she would give it eternally, and without regret. ↗
You're the man now,' she said to me after my father died, 'you're the man.' Then she turned to Popeye, our calico tom, and said, 'You're the cat now, Popeye, you're the cat,' as if she'd always worn a veil over her face and had never known we were men and cats all along. ↗
#david #david-sedaris #sedaris #men
A square space with complicated ceremonies going on in it, the purpose of which is to transform animals into men. Two snakes, moving in opposite directions, have to be got rid of at once. Some animals are there, e.g. foxes and dogs. The people walk around the square and must let themselves be bitten by these animals in each of the four corners . If they run away all is lost. Now the higher animals come on to the scene-bulls and ibexes. Four snakes glide into the four corners. Then the congregation flies out. Two sacrificial priests carry in a huge reptile and with this they touch the forehead of a shapeless animal lump or life-mass. Out of it there instantly rises a human head, transfigured. A voice proclaims: "These are attempts at being. ↗
That's the illusion of stillness. There is no secret. Only the implication of one by its possesor". ↗
And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. ↗
Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour. ↗
