#backgrounds

In the globalized world that is ours, maybe we are moving towards a global village, but that global village brings in a lot of different people, a lot of different ideas, lots of different backgrounds, lots of different aspirations. ↗

— Lakhdar Brahimi

#backgrounds #brings #different #different backgrounds #different people

I like to be surprised. Fresh implications and plot twists erupt as a story unfolds. Characters develop backgrounds, adding depth and feeling. Writing feels like exploring. ↗

— David Brin

#backgrounds #characters #depth #develop #erupt

Florida is a place of unparalleled diversity of backgrounds, experiences and vision. It makes our culture unique, but it can also make it difficult to define a common identity and create a sense of community that reaches beyond our neighborhoods to all corners of our state. ↗

— Jeb Bush

#backgrounds #beyond #common #community #corners

I used to believe, like many people who come from poor backgrounds, that it gave me an edge, but I think that's just something we have to tell ourselves to get by sometimes. I don't believe that anymore. Children of privilege can be just as talented and clever as anybody else. ↗

— Craig Ferguson

#anymore #backgrounds #believe #children #clever

Parochial schools in the United States are also responsible for educating students from a wide range of ethnic backgrounds, including many who are non-Catholic. ↗

— Mark Foley

#backgrounds #educating #ethnic #including #many

I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose. ↗

— John Kricfalusi

#artists #backgrounds #bad #being #cool

In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people. ↗

— Forest Whitaker

#backgrounds #characters #complete #concern #core

Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled. ↗

— Terri Windling

#charles-de-lint #childhood #fantasy #folklore #magical-realism

Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. ↗

— Terri Windling

#charles-de-lint #childhood #power-of-stories #reading #save-lives

I wouldn't say that I'm very similar to the character of Nathan at all. Both of us have had very different upbringings and backgrounds. I have a competitive nature like the character of Nathan. That's really easy to draw from when I'm acting; that's probably the biggest similarity. ↗

— James Lafferty

#backgrounds #biggest #both #character #competitive