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There is a place where the sidewalk ends And before the street begins, And there the grass grows soft and white, And there the sun burns crimson bright, And there the moon-bird rests from his flight To cool in the peppermint wind. Let us leave this place where the smoke blows black And the dark street winds and bends. Past the pits where the asphalt flowers grow We shall walk with a walk that is measured and slow, And watch where the chalk-white arrows go To the place where the sidewalk ends. Yes we'll walk with a walk that is measured and slow, And we'll go where the chalk-white arrows go, For the children, they mark, and the children, they know The place where the sidewalk ends. ↗
Fat Charlie blew his nose. "I never knew I had a brother," he said. "I did," said Spider. "I always meant to look you up, but I got distracted. You know how it is." "Not really." "Things came up." "What kind of things?" "Things. They came up. That's what things do. They come up. I can't be expected to keep track of them all." "Well, give me a f'rinstance." Spider drank more wine. "Okay. The last time I decided that you and I should meet, I, well, I spent days planning it. Wanted it to go perfectly. I had to choose my wardrobe. Then I had to decide what I'd say to you when we met. I knew that the meeting of two brothers, well, it's the subject of epics, isn't it? I decided that the only way to treat it with the appropriate gravity would be to do it in verse. But what kind of verse? Am I going to rap it? Declaim it? I mean, I'm not going to greet you with a limerick. So. It had to be something dark, something powerful, rhythmic, epic. And then I had it. The perfect line: Blood calls to blood like sirens in the night. It says so much. I knew I'd be able to get everything in there - people dying in alleys, sweat and nightmares, the power of free spirits uncrushable. Everything was going to be there. And then I had to come up with a second line, and the whole thing completely fell apart. The best I could come up with was Tum-tumpty-tumpty-tumpty got a fright." Fat Charlie blinked. "Who exactly is Tum-tumpty-tumpty-tumpty?" "It's not anybody. It's just there to show you where the words ought to be. But I never really got any futher on it than that, and I couldn't turn up with just a first line, some tumpties and three words of an epic poem, could I? That would have been disrespecting you." "Well...." "Exactly. So I went to Hawaii for the week instead. Like I said, something came up. ↗
Vlad made a sound too harsh to be a growl. "You won't be satisfied until you've brought me to my knees, is that it?" "Why not?" It shot out of me with all the recklessness of my still-broken heart. "You brought me to mine. ↗
Why are you naked?" "The better to feed you, m'dear." He pointed between his legs and my gaze roved along his cock. Then I saw his forefinger tapping his inner thigh. "Femoral artery." "Riiight. And the major vein in your neck wasn't good enough because… ?" One black brow winged up and those delicious lips curved into a naughty smile. "Ah. Because then I wouldn't have had an excuse to get naked. ↗
The Lord is close to the brokenhearted; which means that if the rest of us want to get close to God, we seek them out-not because of what we could possible offer them, as if we're the spiritual first responders on the scene to save the day, but because we recognize how much they have to teach us about who God really is." -Quoted by Sarah Arthur, Author of The One Year Daily Grind. ↗
Someone has broken your heart. I knew there was something about you. That's it, isn't it?' A little," Sara said, suddenly self-conscious. I'm sorry.' It happens." She shrugged, straining for nonchalance. Maybe,' he said. 'But if it's your destiny, what can you do but accept it. ↗
Before she closed the door, she hit me with this one: "I feel like it's November first," she said, "and I'm that discarded jack-o'-lantern whose heart and guts are splattered all over the boulevard of broken promises." "And a good night to you, too," I said. ↗
