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Read through the most famous quotes by topic #cap
Doesn't matter what the press says. Doesn't matter what the politicians or the mobs say.Doesn't matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: The requirement that we stand up for what we believe, no matter the odds or the consequences. When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree beside the river of truth, and tell the whole world -- "No, YOU move. ↗
Once I learned, I went online and ordered every romance novel I could find. They're fairy tales for grown-ups. ↗
The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men and women will respond to the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly simple though I am, offer the miracle of my creation as testimony that this is a practical faith, as practical as the sun, the rain, a cedar tree, the good earth. ↗
#capitalist #economics #inspirational #libertarian #politics
Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice. ↗
Thanks to Lana Turner, Eleven Eleven, The Nation, LIT Magazine (USA), Critical Quarterly (UK), Beautiful Outlaw Press, no press, The Capilano Review, cv2, Rhubarb and Centre A Gallery (Canada). ↗
I have so much love that it could stretch around the world’s largest dick. But so what? Bernanke’s belt does that every day. ↗
#ben-bernanke #crony-capitalism #dick #federal-reserve #fiat-currency
I'm twenty years old,' said Laurent, 'and I've been the recipient of offers almost as long as I can remember.' 'Is that an answer?' said Damen. 'I'm not a virgin,' said Laurent. 'I wondered,' Damen said, carefully, 'if you reserved your love for women.' 'No, I--' Laurent sounded surprised. Then he seemed to realise that his surprise gave something fundamental away, and he looked away with a muttered breath; when he looked back at Damen there was a wry smile on his lips, but he said, steadily, 'No.' 'Have I said something to offend you? I didn't mean--' 'No. A plausible, benign and uncomplicated theory. Trust you to come up with it.' 'It's not my fault that no one in your country can think in a straight line,' said Damen, frowning a touch defensively. ↗
Terrorism is the symptom, not the disease. Terrorism has no country. It's transnational, as global an enterprise as Coke or Pepsi or Nike. At the first sign of trouble, terrorists can pull up stakes and move their "factories" from country to country in search of a better deal. Just like the multi-nationals. Terrorism as a phenomenon may never go away. But if it is to be contained, the first step is for America to at least acknowledge that it shares the planet with other nations, with other human beings who, even if they are not on TV, have loves and griefs and stories and songs and sorrows and, for heaven's sake, rights. ↗
