#carve

I needed to carve out my own place and find out what I was going to do. ↗

— Rosanne Cash

#find #going #i #my own #needed

Fifty thousand dollars' worth of cabinets isn't going to make you a better cook; cooking is going to make you a better cook. At the end of the day, you can slice a mushroom in about three inches of space, and you can carve a chicken in a foot and a half. So it doesn't matter how big the kitchen is. ↗

— Tyler Florence

#better #big #cabinets #carve #chicken

I had brought up from Chile a contract agent whose cover was that of a newspaper publisher in Santiago, a young, very talented man, named Dave Phillips, who later on carved quite a career for himself in the agency. ↗

— E. Howard Hunt

#agent #brought #career #carved #chile

Raymond Carver is good. I think he'll be appreciated more and more. He's an easy writer to imitate. ↗

— Leslie Fiedler

#carver #easy #good #i #i think

Friday night is our date night. We really carve out time for each other. ↗

— Karen Kain

#date #each #friday #friday night #night

Out of timber so crooked as that from which man is made nothing entirely straight can be carved. ↗

— Immanuel Kant

#crooked #entirely #made #man #nothing

I wanted to make comics that get at feelings that connect to the deepest moments of our lives, reading Tolstoy, Flaubert, Flannery O'Connor, Herman Melville, William Faulkner, Vladimir Nabokov and Carver to help gain the confidence to figure it out. I knew, however, the most doomed approach would be to simply create stories that felt 'literary.' ↗

— Chris Ware

#carver #comics #confidence #connect #connor

After moving his family from Yakima to Paradise, California, in 1958, he enrolled at Chico State College. There, he began an apprenticeship under the soon-to-be-famous John Gardner, the first "real writer" he had ever met. "He offered me the key to his office," Carver recalled in his preface to Gardner’s On Becoming a Novelist (1983). "I see that gift now as a turning point." In addition, Gardner gave his student "close, line-by-line criticism" and taught him a set of values that was "not negotiable." Among these values were convictions that Carver held until his death. Like Gardner, whose On Moral Fiction (1978) decried the "nihilism" of postmodern formalism, Carver maintained that great literature is life-connected, life-affirming, and life-changing. "In the best fiction," he wrote "the central character, the hero or heroine, is also the ‘moved’ character, the one to whom something happens in the story that makes a difference. Something happens that changes the way that character looks at himself and hence the world." Through the 1960s and 1970s he steered wide of the metafictional "funhouse" erected by Barth, Barthelme and Company, concentrating instead on what he called "those basics of old-fashioned storytelling: plot, character, and action." Like Gardner and Chekhov, Carver declared himself a humanist. "Art is not self-expression," he insisted, "it’s communication. ↗

— William L. Stull

#carver #chekhov #chico-state #john-gardner #paradise

Human memory is a marvelous but fallacious instrument. The memories which lie within us are not carved in stone; not only do they tend to become erased as the years go by, but often they change, or even increase by incorporating extraneous features. ↗

— Primo Levi

#carved #change #erased #even #extraneous

I saw the angel in the marble and carved until I set him free. ↗

— Michelangelo

#angel #carved #free #him #i