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Read through the most famous quotes by topic #characterization
Over the years I have forged intimate familial ties with these characters, who are reflections of a portion of myself. Consequently, even a character who appeared only once in a short story waits now in the wings, concealed by the curtain, for his next appearance on-stage. Not one of them has ever broken free of his familial ties with me and disappeared for ever - at least, not within the confines of my heart. ↗
Maugham's success, in fact, lies a good deal less in what he positively does than in what he discreetly leaves undone. He gets the colors of life into his Charles Strickland, not by playing a powerful beam of light upon him, but by leaving him a bit out of focus--by constantly insisting, in the midst of every discussion of him, upon his pervasive mystery--in brief, by craftily making him appear, not as a commonplace, simple and completely understandable man, but as the half comprehended enigma that every genuine man of genius seems to all of us when we meet him in real life. ↗
I do not know the man I should avoid So soon as that spare Cassius. He reads much, He is a great observer, and he looks Quite through the deeds of men. He loves no plays As thou dost, Anthony; he heard no music; Seldom he smiles, and smiles in such a sort As if he mocked himself and scorned his spirit That could be moved to smile at anything. Such men as he be never at heart's ease Whiles they behold a greater than themselves, And therefore are they very dangerous. ↗
#love
When people really hate one another, the tension within them can sometimes make itself felt throughout a room, like atmospheric waves, first hot, then cold, wafted backwards and forwards as if in an invisible process of air conditioning, creating a pervasive physical disturbance. ↗
When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature. ↗
The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature. ↗
I just adore Kate Winslet. I love her because you're never aware of all the stuff that's going into her characterization and, yet, she completely transforms. ↗
If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him. ↗
