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Everything happens everywhere every time anywhere anyhow and whatever and whichever way it wants to happens,think about it ↗
#motivational #non-fictional-fiction #psychological #motivational
It didn't matter. Carson wasn’t the one for me. He wasn’t even the one for right now. My life would hopefully have its great love story but this wasn't it. It would happen in D.C. in the next four years or it would happen in Africa, if I ever got there, or in Sienna or, for all I knew, Kentucky or Timbuktu. Life was long. And people only really had great love affairs in high school in the movies. And maybe during world wars. But this was not a movie and not a war, even if it sometimes felt that way. It was only high school and it was almost over with anyway. ↗
It had only been two days – two days – since he’d seen her last, and yet he’d missed her every step of the way. How was that possible? To miss someone you’d scarcely had in your life at all? For all his knowledge, he had no answer, only knew that every moment spent by her side made it that much more difficult to leave again. To accept the incoming battering of noise, the necessary barrenness of his life. The loneliness. He could hear the music of her voice so clearly as she spoke now, every inflection, every intonation. And the world around them, too – birds on the wing and children laughing. Her presence was a continual surprise, one that made him by turns calm and edgy and covetous. And mindful, his responsibilities, self-appointed though they were, crowding back into his mind on a silent sigh. The Descent was still closing in on him, and Dmitri still lived, which meant there was too much left to do and no time for distraction. But still... ↗
While the Eternal Feminine in Faust II still appears in personalized form as the Madonna, she works her effects in The Magic Flute as an invisible spiritual power, as music. But this music is the expression of divine love itself, which unites law and freedom, above and below, in the wisdom of the heart and of love. As harmony, it grants humankind divine peace and rules the world as the highest divinity. From the earliest times, magic and music have stood under the rule of the Archetypal Feminine, which in myth and fairy tale is also the mistress of transformation, intoxication, and enchanting sound. Thus it is quite understandable that it is precisely this feminine principle that bestows the magical instruments. The Orpheus motif of the magical taming of the animal energies through music belongs to her, for as mistress of the animals the Great Goddess rules the world of wild as well as tame creatures. She can transform things and people into animal form, tame the animal, and enchant it because, like music, she is able to make the tame wild and the wild tame with the power of her magic. ↗
He calls me his Queen of the Night. He shows me the wonders in this incredible city. He encourages me to find my own way, and to choose what I think is right or wrong. And the sex, God, the sex! I never knew what sex was until him! It’s not soft music and candlelight, a choice, a deliberate action. It’s as involuntary as breathing, and as impossible not to do. It’s slammed up against a wall in a dark alley, or flat on my back on cold concrete because I can’t stand one more second without him. It’s on my hands and knees, dry-mouthed, heart-in-my-throat, waiting for the moment he touches me, and I’m alive again. It’s punishing and purifying, velvet and violent, and it makes everything else melt away, until nothing matters but getting him inside me and I wouldn’t just die for him—I’d kill for him, too. Like I did tonight. ↗
