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Read through the most famous quotes by topic #classical
I've always said that I count myself as a classical crossover artist. To be so, you have to have the core classical training, which I did for many, many years, but also be interested in the pop side of things. You can fit in somewhere in the middle. I feel I do that really well. ↗
I've been lucky that I've performed with a lot of the classical people I've wanted to work with so I'd like to do something that people didn't see coming. Like Madonna, or being Welsh - the Tom Jones thing. Or somebody suggested N-Dubz - that would be brilliant! ↗
Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great. ↗
#accessible #best #brought #care #classical
The Milesians did not model their women after Helen, reported to be the most beautiful woman of their times, & who, reportedly, had five husbands.Nor did they model their women after the Athenian housewives. Instead, Milesians celebrated womanly beauty from the physical endowments of two naked slave girls, Briseis & Chryseis-the bones of contention between Achilles & Agamemnon. Tradition cast Briseis as a tall brunette with a dark complexion & with a very distinguished appearance.Whilst Chryseis was described as fair, slender & small in stature.[INTRO] ↗
Liberace was certainly master and commander of the ivories ~ he is the only pianist I can watch or listen to without suffering a case of 'Stagefright Sympathy Sickness'. ↗
#concerts #entertainers #entertainment #funny #gifted-people
Handel's yearning for independence from the traditional chains of patronage and his persistence in monitoring his productions resulted with unique developments concerning Baroque 'opera seria'; however, paradoxically his personal obsession to obtain complete artistic freedom generated disastrous side-effects that eventually impeded the progress of opera in London. ↗
