But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places. ↗
When I began, the guitar was en-closed in a vicious circle. There were no composers writing for the guitar, be-cause there were no virtuoso guitarists. ↗
The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me. ↗
There's a higher place that I have no illusions about reaching. There's a sophistication and aesthetic about composers who only write only for the music's sake. ↗
Well, American composers are the best composers. At this time in the world, we are where the energy is. We are the most diverse, the most iconoclastic, the most maverick, and the most skillful. ↗