#com

When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors. ↗

— Trevor Nunn

#auditioned #became #company #few #got

If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant. ↗

— Trevor Nunn

#comment #communicates #criticism #fully #group

In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor. ↗

— Trevor Nunn

#back #came #come #difficult #early

I think it's good for the composer to teach because you always have new students and you have to begin at the beginning and make things clear. ↗

— John Corigliano

#because #begin #beginning #clear #composer

In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work. ↗

— Trevor Nunn

#artistic #been #commercial #define #fortunate

One fine day I discovered that more complex plays really have to be directed. ↗

— Trevor Nunn

#day #directed #discovered #fine #fine day

Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time. ↗

— Trevor Nunn

#ensemble #going #hall #happening #home

When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War. ↗

— Trevor Nunn

#after #big #commissioned #documentary #england

I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular? ↗

— Michael Nyman

#ask #been #bit #did #film

Whoever gets up and comes to grips with Love like a boxer is a fool. ↗

— Sophocles

#comes #fool #gets #grips #like