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Read through the most famous quotes by topic #criticism
I hope each of us owns the facts of her or his own life," Hughes wrote in a letter to the Independent in April, 1989, when he had been goaded by a particularly intrusive article. But, of course, as everyone knows who has ever heard a piece of gossip, we do not "own" the facts of our lives at all. This ownership passes out of our hands at birth, at the moment we are first observed. The organs of publicity that have proliferated in our time are only an extension and a magnification of society's fundamental and incorrigible nosiness. Our business is everybody's business, should anybody wish to make it so. The concept of privacy is a sort of screen to hide the fact that almost none is possible in a social universe. In any struggle between the public's inviolable right to be diverted and an individual's wish to be left alone, the public almost always prevails. After we are dead, the pretense that we may somehow be protected against the world's careless malice is abandoned. The branch of the law that putatively protects our good name against libel and slander withdraws from us indifferently. The dead cannot be libelled or slandered. They are without legal recourse. ↗
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men. ↗
#literary-criticism #literary-theory #narrative #nineteenth-century #novels
There is some relationship between the hunger for truth and the search for the right words. This struggle may be ultimately indefinable and even undecidable, but one damn well knows it when one sees it. ↗
#language #literary-criticism #literature #truth #literary-criticism
From the moment I picked your book up until I laid it down, I was convulsed with laughter. Someday I intend reading it. Groucho Marx ↗
Do not start me on The Da Vinci Code ... a novel so bad that it gives bad novels a bad name." (Discussion at Woodruff Auditorium in Lawrence, KS; October 7, 2005.) ↗
#literary-criticism #novels #the-davinci-code #writing #literary-criticism
In literary criticism the critic has no choice but to make over the victim of his attention into something the size and shape of himself. ↗
Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. ↗
