History is just this froth of artifact production that has appeared in the last ten to fifteen thousand years. It spread across the planet very quickly. But that mind in man just goes back and back into the darkness. ↗
I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it. ↗
I think we present extreme aspects of human behavior and hopefully get at times, messages across or bring issues to the table or as we so often say, shed light into the dark crevices of human nature. ↗
We stumble and fall constantly even when we are most enlightened. But when we are in true spiritual darkness, we do not even know that we have fallen. ↗
I'm more into the Spawn toys. They're really cool. They're coming out with a Techno Spawn series and another series, The Dark Ages, which are really cool. ↗
On the contrary, if they are treated with justice and humanity, proper example and the advantages of education given them, the coming years will be as bright and prosperous to the unfortunate race as the past has been dark and painful. ↗
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling. ↗
The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird. ↗
