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Read through the most famous quotes by topic #detective
Elphaba’s face darkened again. Then she asked, hesitantly, as if afraid of the answer, “So, how do you get the evil life force?” “From innocent people, Elphaba,” Nick spoke so quietly he almost whispered. “I must draw the life force from innocent people. The more innocent they are, the more evil the murder is.” Elphaba jerked as though a shock had struck her in the heart. “Oh, that’s terrible!” “Yes, it is. Terrible. That word doesn’t even do it justice, terrible. There is no Magick more terrible than Magick that cheats death. I have cheated death, and death extracts its price.” Elphaba silently looked at Nick, her expression of revulsion enough to communicate her feelings. “You shouldn’t act so surprised, malyutka,” Nick said softly. “It is who I am. And it’s worked for me for centuries.” Elphaba sat for a moment, trying to calm herself. “Yes, you’re right. I knew that part of you was a monster. Sometimes it’s easy to forget, since you seem to be such a decent guy.” “Lyches are monsters. ↗
For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. ↗
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Why did so many teenagers fall for Stanley Horowitz’s tricks?” “These were impressionable teenagers,” Nick explained. “Many of them were devoted fans of romantic Vampyre stories. They over-romanticized what it means to be a Vampyre, and that gave Stanley a way to manipulate them.” “I’ve read Twilight,” Tamara said. “My daughter is a huge fan. Is she in any danger?” “The danger arises from wanting to belong to the in crowd so badly, you lose sight of what’s real and what’s fantasy.” “Surely today’s teenagers know that vampires are fantasy,” Tamara said. “Possibly. But remember, Vampyres are not romantic. Vampyres are dead. They are walking reminders of tragedy. Loving one is necrophilia. And wanting to be one is the first step on the road to catastrophe. ↗
Elphaba gave him a sidelong glance. “I think you enjoy going to school, Nick. Are you sure canoodling with teenage girls isn’t your ulterior motive?” “Perish the thought, Elphaba, perish the thought. I’m too old for that.” Nick winked. “By about eight hundred years. ↗
Good, evil, these are human concepts, ways people have for understanding what it means to be alive,” Nick said. “Before people came along, this planet was teeming with life, fighting to survive, to live long enough to reproduce, completing the circle of life.” “I’m with you so far,” Elphaba said. “The circle of life is an essential Wiccan principle, in spite of The Lion King.” Nick ignored Elphaba’s bit of humor as his mood became more serious. “Precisely so. And in this circle of life, you have predators and prey. The predators must kill to eat. If they don’t, they starve. Are the predators evil?” “No, of course not. They’re simply acting on their nature.” “What is human nature, then? Are we a species that builds societies of trust and cooperation, or are we a species that seeks power over our fellow man, even if that means fighting wars or otherwise killing him?” Elphaba frowned, carefully considering her answer. “I’d like to think we are a species of trust and cooperation.” “Our entire history is a story of war, of murder and mayhem, of blood running in the streets,” Nick said quietly. “Yes, yes it is.” Elphaba leaned back, grimacing. “We are both,” Nick said. “A species of cooperation, and a species of strife. We fight wars, and we also establish the rule of law to mete out justice to the criminals in our midst. Humans are both good and evil. ↗
When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. ↗
It's a tough job being somebody's personal assistant. You have to anwser their phone, manage their correspondence, run their errands, pay their bills, arrange their schedule, and basically do whatever tasks, menial to major, they are too busy or self absorbed or distranted or pampered or disinterested to do themselves. ↗
Nick pulled a business card out of a pocket and handed it to Elphaba. It read Nicholas Lynch, Inspector, Ministry of Magick, next to a moving image of Nick, mugging for the camera. “I finally get to use my Harry Potter business cards! ↗
Calvino remembered he had no food in the house and would have to go shopping on Sukhumvit Road. Then he planned to crawl into his bed and sleep, the kind of deep sleep without dreams or hopes, a sleep without regrets, without knowing or thinking how things got the way they are or how occasional fragments of decency escaped the forces of gravity. ↗
