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Read through the most famous quotes by topic #detective
Why did so many teenagers fall for Stanley Horowitz’s tricks?” “These were impressionable teenagers,” Nick explained. “Many of them were devoted fans of romantic Vampyre stories. They over-romanticized what it means to be a Vampyre, and that gave Stanley a way to manipulate them.” “I’ve read Twilight,” Tamara said. “My daughter is a huge fan. Is she in any danger?” “The danger arises from wanting to belong to the in crowd so badly, you lose sight of what’s real and what’s fantasy.” “Surely today’s teenagers know that vampires are fantasy,” Tamara said. “Possibly. But remember, Vampyres are not romantic. Vampyres are dead. They are walking reminders of tragedy. Loving one is necrophilia. And wanting to be one is the first step on the road to catastrophe. ↗
Elphaba gave him a sidelong glance. “I think you enjoy going to school, Nick. Are you sure canoodling with teenage girls isn’t your ulterior motive?” “Perish the thought, Elphaba, perish the thought. I’m too old for that.” Nick winked. “By about eight hundred years. ↗
Good, evil, these are human concepts, ways people have for understanding what it means to be alive,” Nick said. “Before people came along, this planet was teeming with life, fighting to survive, to live long enough to reproduce, completing the circle of life.” “I’m with you so far,” Elphaba said. “The circle of life is an essential Wiccan principle, in spite of The Lion King.” Nick ignored Elphaba’s bit of humor as his mood became more serious. “Precisely so. And in this circle of life, you have predators and prey. The predators must kill to eat. If they don’t, they starve. Are the predators evil?” “No, of course not. They’re simply acting on their nature.” “What is human nature, then? Are we a species that builds societies of trust and cooperation, or are we a species that seeks power over our fellow man, even if that means fighting wars or otherwise killing him?” Elphaba frowned, carefully considering her answer. “I’d like to think we are a species of trust and cooperation.” “Our entire history is a story of war, of murder and mayhem, of blood running in the streets,” Nick said quietly. “Yes, yes it is.” Elphaba leaned back, grimacing. “We are both,” Nick said. “A species of cooperation, and a species of strife. We fight wars, and we also establish the rule of law to mete out justice to the criminals in our midst. Humans are both good and evil. ↗
When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. ↗
Make no mistake, Elphaba, Goddess Magick was potent in the old days. During the Dark Ages the Catholic Church had their hands full fighting it. Unfortunately, in large measure the Church won that war, relegating Wicca, Druidism and the rest to the fringes of society. With vastly weakened power.” “Except yours, Nick.” “I’ve always been a special case, Elphaba,” Nick explained. “Even though I began my career as an alchemist, I soon turned away from that practice and forged my own path. I uncovered my own secrets and kept them secret. That’s how I was able to maintain my power for so long. ↗
Come to the jacaranda tree at seven o'clock and you will hear something to your advantage. Destroy this note.' No signature, no clue to the identity. Just what sort of heroine do you think I am? Phryne asked the air. Only a Gothic novel protagonist would receive that and say, 'Goodness, let me just slip into a low-cut white nightie and put on the highest heeled shoes I can find,' and, pausing only to burn the note, slip out of the hotel by a back exit and go forth to meet her doom in the den of the monster - to be rescued in the nick of time by the strong-jawed hero (he of the Byronic profile and the muscles rippling beneath the torn shirt). 'Oh, my dear,' Phryne spoke aloud as if to the letter-writer. 'You don't know a lot about me, do you? ↗
Perhaps this is the purpose of detective investigations, real and fictional -- to transform sensation, horror and grief into a puzzle, and then to solve the puzzle, to make it go away. 'The detective story,' observed Raymond Chandler in 1949, 'is a tragedy with a happy ending.' A storybook detective starts by confronting us with a murder and ends by absolving us of it. He clears us of guilt. He relieves us of uncertainty. He removes us from the presence of death. ↗
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Good and evil,” Nick said. “Yin and yang. Male and female. Life and death. The dualities that make us human. As though our lives play out on an immense balance scale—move one way, the scale tips to the left, but move the other, and it swings around to the right. ↗
