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For the Wife Beater's Wife With blue irises her face is blossomed. Blue Circling to yellow, circling to brown on her cheeks. The long bone of her jaw untracked She hides in our kitchen. He sleeps it off next door. Her chicken legs tucked under her She's frantic with lies, animated Before the swirling smoke. On her cigarette she leaves red prints, red Like a cut on the white cup. Like a skin she pulls her sweater around her. She's cold, She brings the cold in with her. In our kitchen she hides. He sleeps it off next door, his great Belly heaving with booze. Again and again she tells the story As if the details ever changed, As if blows to the face were somehow Different beating to beating. We reach for her but can't help. She retreats into her cold love of him And looks across the table at us As if across a sea. Next door he claws out of sleep. She says she thinks she'll do something After all, with her hair tonight. ↗
#domestic #domestic-abuse #domestic-violence #poetry #violence
It's barely changed since the faceless colour committee originally selected it in 1908 when the first map of the Underground was designed and the Bakerloo conclusively became brown, a very early twentieth-century brown, which brings something of the nineteenth century with it - the colour of Sherlock Holmes's pipe, a Gladstone bag, a grandfather clock. ↗
#brown #gladstone-bag #london-underground #sherlock-holmes #change
In this ever changing world, there are few things that have remained constant for me. The chance of hooking a nice trout still excites and thrills me to this day....just as it did when I was a kid. I like that! ↗
The more sensitive the lunatic, the less able is he to resist this prying interest of the normal human being. I felt that Renée's change of key - to myself, I compared Renée to a sweet melody, a little flat despite its laborious harmonies - was approaching. ↗
Someday this upside-down world will be turned right side up. Nothing in all eternity will turn it back again. If we are wise, we will use our brief lives on earth positioning ourselves for the turn. ↗
I've often thought a blind man could find his way through London simply by gauging the changes in innuendo: mild through Trafalgar Square, less veiled towards the river. ↗
When society involves the anarch in a conflict which in which he does not participate inwardly, it challenges him to launch an opposition. He will try to turn the lever with which society moves him. Society is then at his disposal, say, as a stage for grand spectacles that are devised for him. Everything changes; the fetter becomes fascinating, danger an adventure, a suspenseful task. ↗
