I have designed my style pantomimes as white ink drawings on black backgrounds, so that man's destiny appears as a thread lost in an endless labyrinth. I have tried to shed some gleams of light on the shadow of man startled by his anguish. ↗
As a child. I grew up on a small farm, so I did a lot of drawings of animals, chickens and people. At the bottom of every page, I'd put a strange scribble. I was emulating adult handwriting, though I didn't actually know how to write. ↗
After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures. ↗
I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor. ↗
I have been to several wars to draw. I went to Vietnam. And made drawings in Vietnam during that period of the war there, and found that to be a very very sad situation. ↗
Those early sketches looked too cartoony; I really wanted to do detailed drawings - I was taking anatomy classes - but unfortunately I wasn't able to do it because of the time element. ↗
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting. ↗
I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way. ↗
