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...Thing was' he faced them, and Harry was astonished to see that he was grinning, 'they bit of a bit more than they could chew with Gran. Little old witch living alone, they probably think they didn't need to send anyone particularly powerful. Anyway' Neville laughed, 'Dawlish is still in St Mungo's and Gran is on the run. She sent me a letter,' he clapped a hand to the breast pocket of his robes, 'telling me she was proud of me, that I'm my parents' son, and to keep it up ↗
When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind." (Letter to Alexander Chekhov, May 10, 1886) ↗
Edain came out of Midhir's hill, and lay Beside young Aengus in his tower of glass, Where time is drowned in odour-laden winds And Druid moons, and murmuring of boughs, And sleepy boughs, and boughs where apples made Of opal and ruhy and pale chrysolite Awake unsleeping fires; and wove seven strings, Sweet with all music, out of his long hair, Because her hands had been made wild by love. When Midhir's wife had changed her to a fly, He made a harp with Druid apple-wood That she among her winds might know he wept; And from that hour he has watched over none But faithful lovers. ↗
(Wallace) Stevens turns to the idea of the weather precisely as the religious idea turns to the idea of God. ↗
