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The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real. ↗
The greater the conceptual significance of a literary product, the more it should be assumed that it is based on an idea that determines the whole, and that the deeper consciousness of the time to which it belongs is reflected in it. ↗
