I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode. ↗
We did an episode where she goes out to get a job and she gets fired because she's not good. They hire a babysitter to help out and she finds out she hates the fact that the kids have more fun with the sitter than her. ↗
Youth is the period in which a man can be hopeless. The end of every episode is the end of the world. But the power of hoping through everything, the knowledge that the soul survives its adventures, that great inspiration comes to the middle-aged. ↗
I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek. ↗
They've got to deliver twenty-six episodes a season and they're not going to beat their heads up against a wall if they feel something didn't, like, pan out the way they had hoped. ↗
If I'm racist, don't think I would have directed shows like 'The Parkers' and 'The Wayans Brothers' or worked 41 episodes with Victoria Rowell on 'Diagnosis: Murder.' ↗
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market. ↗
As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around. ↗
As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering. ↗
