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Read through the most famous quotes by topic #era
They were both young men under thirty. Art is not so precocious as literature, and does not send quite so many early potatoes into the market, so that the age of thirty is considered young enough for a painter to have learnt his business sufficiently to be marketable from the picture-dealing point of view. ("The Phantom Model") ↗
#artist #literature #painter #painting #age
The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman") ↗
#ghost-story #horror #victorian #victorian-age #victorian-era
Once [the Senator's] brain has come into play with the mysterious stranger, that stranger exists, really does exist: he will not disappear from the Petersburg prospects while a senator with such thoughts exists, because thought, too, exists. And so let our stranger be a real live stranger! And let my stranger's two shadows be real live shadows! Those dark shadows will follow, they will follow on the stranger's heels, in the same way as the stranger himself will directly follow the senator; the aged senator will pursue you, he will pursue you, too, reader, in his black carriage: and from this day forth you will never forget him! ↗
#age
Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties. ↗
#anxiety #canon #literature #age
Don't do that!" she exclaimed, shivering at the realization that it had been his fingers touching her. He gave her his lazy, slightly twisted smile and brushed a few pieces of unruly black hair out of his face. "Are you asking me or ordering me?” "Shut up." She glanced around, both to avoid his eyes and make sure no one saw them together. "What's the matter? Worried about what your slaves'll think if they see you talking to me?” "They're my friends," she retorted. "Oh.Right. Of course they are. I mean, from what I saw, Camille would probably do anything for you, right? Friends till the end." He crossed his arms over his chest, and in spite of her anger, she couldn't help but notice how the silvery gray of his shirt set off his black hair and blue eyes. (Lissa&Christian) ↗
NGOs have a complicated space in neoliberal politics. They are supposed to mop up the anger. Even when they are doing good work, they are supposed to maintain the status quo. They are the missionaries of the corporate world. ↗
Time and death: It's the ultimate vision of an artist at the end of everything. It's just what's there. It was not something I planned to do. ↗
There is, after all, no moral difference between the bigot and the tolerator. They are from case to case positive or negative. One man is bigoted because he was given the sword of truth, another because he is angered in thoughtlessness; then, one man is tolerant because he was given the flag of peace, another because he is cowardly and wishes to hide all guilt. ↗
